@AmbireWallet@EthereumDenver ETHDenver will be epic because weโre finally at a tipping point with account abstraction/sc wallets that we can start talking about paths to mass adoption
Are you coming to @EthereumDenver?
Here's 20 tickets for "The Next Billion" summit for the first 20 of you who:
- RT ๐
- Comment ๐ฌ on why this @EthereumDenver will be epic
What is "The Next Billion" summit? โก๏ธ https://t.co/tPIt7Hv5Wm
Seems like most apps being deployed to L2s are DeFi related. Also seems like lower fees/faster txs lend themselves to more fun, who's building something fun on @optimismPBC@arbitrum@StarkWareLtd ?
Web3: hangout on twitter and discord with your friends and favorite anons, enjoy the memes, actually have a flexible work schedule, gift your employees their favorite pfps so they can stunt, work on multiple projects. Management understands remote first, lets you do your thing.
Creators (engineers, artists ) anywhere can take large economic interest in projects (multiple), work as much as they want, and see huge upside. That combined with DAO ownership gets us away from SV founder worship and people feeling like they have to be a founder to "make it".
In web3 you don't have to be a founder to "make it", ownership is spread more broadly and participation isn't gated by your ability to perform labor in a hyper specific IRL geography.
I also think music will really fragment, no more all you can eat streaming services bundling all the music. Music will be rare, scarce, hard to discover....it will be fun again both for musicians and listeners/collectors
I've seen a lot of "web3 music" platforms launching recently that provide tools to help artists mint NFTs, set up DAOs or token gated experiences and manage "royalties" rev shares etc...
Back to original thought on current web3 offerings maybe not being the path forward. I feel like the most interesting music concepts in web3 will be driven by collaboration between engineers and musicians (same happened with the jpegs), this will create new paradigms etc.