After a great discussion about photography…
Shall we talk music?
“We’re not back until Music NFTs are back.”
But… did they ever really exist?
🧵 Thread: Born in 1993. And yet, I feel like I never had my musical revolution.
1/6 ↓
@Mileistesfr Tu oublies un point clé :
les Baléares sont le parfait contre-exemple.
Sans contrôle strict des loyers, la crise y est encore pire : loyers parmi les plus élevés d’Espagne, pénurie massive, locaux évincés.
Bref, réduire ça aux plafonds de loyers, c’est beaucoup trop simpliste.
@YaizaArcoIris@SirAfuera Mentira ?
https://t.co/I28XISPFhK
Mentira ?
https://t.co/nU7y8WWVrP
Tu ídolo acepta condiciones que podrían calificarse de extrema derecha con tal de mantenerse en el poder. Por un momento, ten un poco de sentido común, por favor. ¡Anda ya!
@eldiarioes@mbarandel@grok on n’assisterai pas a une derive un peu autoritaire de la part du PSOE, en essayant de faire taire les voix qui ne pensent pas comme eux ?
In 5 years, they’ll still be central in the art world. Prestige, legitimacy, network, expertise. And for any artist, it remains the ultimate reward to be in a major collection and sell at Sotheby’s or Christie’s. Real estate, though (from experience), leans on the brand more than true service. Agile players will win there.
That’s exactly the problem.
If Web3 platforms just copy Web2 attention games, where’s the innovation? Where’s the shift in values?
Wasn’t the original idea, with Farcaster and Degen, to reward quality over quantity?
You were one of the first saying that was the future.
Funny how your take shifted… kinda like your posting habits.
We're going to see a rotation in @zora creator coins away from big names who are inactive to those who are actively posting new content
Creator coins go up when posts get volume - so bet on people posting regularly who actually use the app
I buy this and then what? What do I actually do with it? Is this post historic or special?
Sorry but I really don’t get it.
This kind of “fractionalized” content gives the illusion of cultural participation, but in reality, it’s just a financial layer added on top of content. It feels more like extraction than creation…
Am I missing something?
@NTmoney Real cultural builders don’t shout.
They create. They grow scenes, not narratives to steal.
Wrote a whole thread about it today, actually 👇 https://t.co/n4Pj8dfjgH
After a great discussion about photography…
Shall we talk music?
“We’re not back until Music NFTs are back.”
But… did they ever really exist?
🧵 Thread: Born in 1993. And yet, I feel like I never had my musical revolution.
1/6 ↓
I’m ready to quit Spotify
…but only for a revolution that deserves it.
I hope the next wave isn’t behind us.
I hope it’s still to be made.
And that it brings a fair economy,
because that’s what our artists deserve ❤️
Have a good week, all ☀️
https://t.co/fl4iY8bLaB
6/6
After a great discussion about photography…
Shall we talk music?
“We’re not back until Music NFTs are back.”
But… did they ever really exist?
🧵 Thread: Born in 1993. And yet, I feel like I never had my musical revolution.
1/6 ↓
One question, not an answer:
I still go to clubs.
Festivals. Concerts.
But everything feels reheated.
I want to feel what the first punks felt.
What Berlin’s ravers experienced.
I want something of us: in our language.
We can’t let the older generation label us as the
“culture of emptiness.”
Our dual culture is our identity:
The last to grow up offline,
and the first to grow up online.
We were the kids playing outside,
and also those discovering MySpace, blogs, SoundCloud.
That is history.
It’s why we cry at a GIF by XCopy.
Why we see art in a meme.
Why we value a Punk as much as a Warhol.
And others don’t get it.
They say:
“It’s not art.”
“It’s just JPEGs.”
“It’s the end of culture.”
They said the same about graffiti, techno, sampling.
Now they exhibit them in major museums.
Yes, we had Kids by MGMT. Justice. Lana Del Rey.
Anthems to dream, survive, dance, love.
But was it a revolution?
🧠 We have the most powerful creative tools in history.
💻 We grew up in digital chaos.
🌍 We’re hyperconnected but orphans of a sound that unites us.
What if that revolution isn’t behind us…
…but still to invent?
What if AI, Web3, the end of majors,
decentralized communities,
aren’t just about markets, but movement?
Today’s music NFTs often feel like empty shells.
Not revolution.
Just another reflection of an era where emotion becomes speculation.
We didn’t get our Woodstock.
Nor our Bronx.
Nor our Detroit.
5/6 ↓
@SitgesFranck@shineroner L’électro et le hip-hop se sont largement démocratisés, ils occupent une place dominante dans la culture actuelle et ont éclipsé pas mal le rock.
C’est une époque plus fragmentée : moins de groupes au sens mainstream, mais une richesse incroyable si on prend le temps de chercher.
@SitgesFranck@shineroner Khruangbin (gros coup de cœur), The Black Keys, The National, Parcels, The Limiñanas, Fontaines DC, Idles, Tame Impala, Kurt Vile… Il y a encore de très bons groupes aujourd’hui, mais les temps ont changé.