Dmitry Pastukhov

Product @MusicTomorrow. All opinions are my own

[Dmitry Pastukhov @40tokae]

a bit surreal (and extremely satisfying) to see the work we do at Music Tomorrow recognized at such a level. get ready to talk RSO concepts in your marketing meetings everyone

[Centre national de la musique @le_CNM]

[#Innovation]
Félicitations à #MusicTomorrow pour la première place du Prix de l'innovation dans la musique décerné par @le_CNM en partenariat avec @FondationBNPP, @IFCIC, @Bpifrance et @caissedesdepots. #RencontresInnoMusique23

[Julie Knibbe @julieknibbe]

🚨 Calling all music professionals! 🚨
Our State of Music Data survey has just launched!
So If you work in music and have about 10 minutes to spare, please check out the link below to let us know how you and your company are working with data :) https://t.co/p9ppwkr6yz

[Julie Knibbe @julieknibbe]

The 2nd part of our Recommender System Optimization series is out! This one provides an overview of the levers artists and their teams can use to influence streaming algorithms. #seo #streaming Fantastic work by @40tokae
https://t.co/b21Uq0bAvY

[Julie Knibbe @julieknibbe]

🔍 Fantastic research by @40tokae: Inside Spotify’s Recommender System - A Guide to Spotify Recommendation Algorithms https://t.co/Ho07SLXDTu

[Dmitry Pastukhov @40tokae]

@zoecello All these subscriptions are still 10$/month. All of these services are paying ~55% of revenue in master royalties. If everyone would move from spot to amaz, and spend as much time there, the avg would drop immediately. Per stream avg is a useless metric. Stop talking about it

[Dmitry Pastukhov @40tokae]

Man, whoever managed syncs on brassic is the goat, a great show elevated by the soundtrack to something really special, kind of like the first few seasons of sopranos were

[Dmitry Pastukhov @40tokae]

lol brit awards song of the year category quite literally looks like my unintelligent dance music playlist

[Revelator @GetRevelator]

Thanks @40tokae and @julieknibbe
for covering the innovation we're bringing to streaming royalty payments: https://t.co/GnR05g5QUx

[Julie Knibbe @julieknibbe]

Results are in! Here's this year’s edition of the State of Data in the Music Industry. Huge props to all of the participants who made this possible — and special thx to @GetRevelator @soundcharts @chartmetric and @Synchtank who contributed to the report.
https://t.co/D49KxlVEqg

[Julie Knibbe @julieknibbe]

Do recommendation algorithms value diversity on streaming platforms? Do they favor popular artists over indies? I often receive these questions and there are no simple answers, so I'm happy to share my take on this sensitive topic today. https://t.co/OTiuhvqFeU

[Dmitry Pastukhov @40tokae]

That feeling when you wrote an article back in 2019 to showcase that "streams x average pay per stream" royalty calculators are just a bad idea

And now it's used to source "streams x average pay per streams" royalty calculators https://t.co/OFje3GiRb3

[Dmitry Pastukhov @40tokae]

Intourist: imagine james chance and the contortions inspired by the absurdity of the post-Soviet life. The video below is from a stripped down two-man set, which sounds quite different from the full band. the most important guitar project in Moscow rn imo

[Dmitry Pastukhov @40tokae]

Since fait landed me in Moscow during the Moscow Music Week - yes, these crazy people are throwing showcase fests in 2021 - here are 4 days of Russian music discoveries, a thread:

[Dmitry Pastukhov @40tokae]

From the showcase of Russian sorrow to the actual Russian sorrow, both physically and meta-physically drinking Vodka with a dark-jazz band Baritone Domination

[Dmitry Pastukhov @40tokae]

Just thought of a great ref for what they do - this gem: https://t.co/fzvzSTR7pU

[Dmitry Pastukhov @40tokae]

Kugo-Yeya: the guys have been defo listening to Jojo Mayer, then added some kraut and ethnic stuff in the mix. Personally a huge sucker this type of music that just builds and build and builds.

The guy spazing in out the front row is not a part of the band, though he should be

[Michael Prommer - Defend Music @MPrommer]

Everyone working in the music business works in the music data business.