An artists’ community that serves as a platform for promoting and distributing artists’ moving image works—6 artists—each selecting 1 artist—every 6 weeks
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The twenty-ninth edition of six artists is online now!
There are now a total of one hundred and seventy-four artists’ profiles and more than four hundred artists’ film and moving image works available to view on the website.
Check it out → https://t.co/L5O0PM8Bu8
Join us on Monday, 1 August for an introduction into Project Spaces as Micro-Cinemas with 6x6 Project, Xanadu, Anorak and Videoart at Midnight as part of the first night of Project Space Festival Berlin!
More info → https://t.co/zGD7B2YG9k
Excited to announce the next 6x6 project screening at Xanadu, Berlin!
With works by Maud Craigie, Karin Ferrari, Krzysztof Honowski, Stéphanie Lagarde, Eugenia Lim, Qigemu (April Lin 林森 and Jasmine Lin), and Daniel Theiler
More info about the films → https://t.co/lJrvND4J9T
A Reflection by Sidsel Becker: "Through years I have been filming a child and an old woman in their private rooms, in a house in the forest... "
Watch now: https://t.co/8DbUvgvrnO
Seepage I by Ninna Bohn Pedersen investigates the idea of a utopian body expanding beyond its own limits in order to become part of the world...
Watch now: https://t.co/bCsdWqdgYC
Frenulum by Henry Bradley uses techniques of theatre and song to explore the gestural politics of phonetics, group ritual, medicinal intervention, and children’s games, following a group as they perform imaginary tongue-surgery...
Watch now: https://t.co/nz8E4VbYe2
Ceci N’est Pas Un Spectacle by Sam Meech uses the tradition of motif making in knitting as an absurdly reductive approach to documentary—an bizarre collage of logos, motifs as quotations that resists a simple coherent narrative or consensus.
Watch now: https://t.co/KcXem9BQuq
Dearest Degenerate by Antonia Luxem addresses, in the form of a letter, to the close and homophobic person. It is a deconstructed reaction to the underlying, violent, invisible and yet prevalent homophobia within our society.
Watch now: https://t.co/mJRToG5M8A
Made in collaboration with workers from the gig economy, ON DEMAND by Eugenia Lim is a pedal-powered video work that considers work, labour, solidarity and movement (political and physical) in the neoliberal present.
Watch now: https://t.co/q3MnNbmfDS
I have never seen a horizon like this by Alexandros Pissourios employs images that were shot during a luxury fashion shoot in Vietnam...
Watch now: https://t.co/Cio35PfsnB
Ex-voto by Julie Born Schwartz explores expressions of faith in material and visual culture whilst offering a meditation on the nature of spirituality itself...
Watch now: https://t.co/Xj6BqHWwqY
Kleep toowit, klip klip, too-ow-wit by Maria Anastassiou is formed as a walk from day to night along the inner and outer peripheries of the Reserve, shot on colour 16mm film, using a hand-cranked camera.
Watch now → https://t.co/oXLb6uSr4j
Q&A with artist Antonia Luxem: "It’s about the dreamlike journey of a queer woman through a strange universe where she encounters a number of puzzling characters, who are kind of archetypes of our society... "
Read more → https://t.co/ijSIrqNd3R
‘In Virtual Return We (can’t) Dehaunt’ is a multi-channel moving-image work by Yarli Allison. It traces the real life stories of four queer Hong Kong (trans)migrants by reconstructing their nostalgic homes in virtual reality (VR)
Watch now → https://t.co/mOlFq5EAou