15-15 เจฆเจฟเจจ Film เจฆเฉ Shooting เจฐเฉเจเฉ เจฐเจนเฉ
เจธเจพเจกเฉ เจเจชเจฃเฉ เจฌเฉฐเจฆเจฟเจเจ เจจเฉ เจตเฉ เจฌเจนเฉเจค เจคเฉฐเจ เจเฉเจคเจพ Shoot เจตเฉเจฒเฉ
#DiljitDosanjh#Satluj#Punjab95#Zee5#JaswantSinghKhalra#Punjab
The film's shoot was stalled for stretches of 15 days at a time. Even people from our own side made things very difficult
Talk with #JawantSinghKhalra 's trial court lawyer #RSBains as his biopic #satluj ( which is now stands banned in India) is based on trial judgement delivered by CBI court Patiala. It established the enforced disappearance of bhai khalra.
@diljitdosanjh
https://t.co/mEBWAm18Keโฆ
"When the sun sets, a single lamp can still challenge the darkness."
โ Shaheed Jaswant Singh Khalra (Sandhu)ยป
Shaheed Jaswant Singh Khalra (Sandhu) was neither a politician nor an armed militant. 1/.
No, The Indian government fear this.
But the truth is out and the Indian masses started to feel the pain of Sikhs during that evil hunting period in panjab.
It took 31 years to simply pass on that Indian government carry forward a systematic genocide of sikhs.
Sources will disclose today why Satluj was removed from ZEE5. Later, Dhurandhar 3 will explain how this national security move saved the state of Punjab
Several attempts were made to stop Satluj, earlier known as Punjab โ95. But after the ban on OTT, the story seems to be travelling even faster among people. There are reports that a full 2-hour, 29-minute and 22-second version of the film, reportedly around 1 GB in size, is circulating on WhatsApp.
Diljit Dosanjh wrote from his X/Twitter handle @diljitdosanjh:
โHun Ni Rukni Film. Khalra Saab Di Avaaz Nu Koi Ni Dabaa Sakda.โ
Satluj is no longer just a film. It has become a memory, a question, and a debate on freedom of expression.
Mr. @prasoonjoshi_
Can you please enlighten us on why 127 cuts were recommended for the film Panjab '95?
The same film, now renamed โSatlujโ, has been taken down from an OTT platform in less than two days. The CBFC has no jurisdiction over OTT platforms or international releases.
Panjab '95 tells the story of Jaswant Singh Khalra, a man who exposed documented human rights abuses and paid for it with his life. If a film based on documented facts cannot be seen by Indian audiences, then the public deserves to know why.
This sends a very direct message to filmmakers and production companies: if you're paying homage to a great personality from a minority community, you'll have to face the CBFC.
Journalists should be asking the people running this censor board some hard questions. Why are some politically insensitive films able to pass with ease while others spend years in limbo?
A red carpet for Kashmir Files, Bengal Files, and Kerala Story. Roses for Dhurandar 1 & 2, a fictional documentary/explainer for the unthinkable and the unexplainable.
How does it feel to feast on four years of a director's career?
In Nehru's India, this would have been litigated in court. If filmmakers cannot tell the stories of people who stood up for justice without years of obstruction, what kind of cinema are we encouraging them to make?
Jaswant Singh Khalra Abducted again,
This time by the CBFC
When you stand for truth and speak what is right, you should never hesitate because of who stands before you. By Godโs grace, I have always spoken with courage, and I pray for the strength to continue doing so.
Sharing an old podcast recalling my encounter with KPS Gill.
In an era of revisionist histories justifying authoritarian government actions through the prism of nationalism, #Satluj serves as a reminder that democracy is much more than just voting.
https://t.co/XOBfzcum9N