Peter Caeldries

field recording with an arts, acoustic ecology or documentary purpose

[Peter Caeldries @900hz]

Listen to the soundscape of spring in Estonia, a piece by Michèle Peron @MichelePeron3 and me on @touchmusic 's Touch Radio here: https://t.co/ZNMFCfKzIv

[Rainforest Connection @RainforestCx]

In the forest, there are secrets that can only be uncovered by listening closely.

Can you hear what we hear?

International Forest Day pt. 1

[SN Variations @SnVariations]

This Sunday at 9am CET our next show on Kiosk Radio features the first airing, outside of its performance at @ICALondon in 2015, of the full 1hr version of Notes from the Forest Floor by @chrisrwatson Recorded in La Selva Rain forest in Costa Rica.

[Always Listening @AlwaysLsnJp]

環境音や電子音、そして楽器の音を繊細に重ねながら、静けさと余白の美を探求し続ける音楽家・テイラー・デュプリーさん。
彼の音楽哲学には、日本文化からの深い影響も。現代アンビエントを語るうえで欠かせない存在の彼が語ることとは？

前編はこちらから
https://t.co/QDUMRNvpXk

@taylordeupree

[Peter Caeldries @900hz]

recording the day coming to life in eastern Estonia -

[Fermat's Library @fermatslibrary]

60 years ago this month, the Fast Fourier Transform (FFT) was introduced by Cooley & Tukey (1965) - one of the most important algorithms in signal processing and data analysis.

In 1805, Gauss - studying the orbits of asteroids Pallas and Juno - came up with a method to interpolate their trajectories from discrete samples. What he came up with was mathematically very close to the modern FFT but Gauss never published that work, and didn’t analyze its computational complexity. It predated even Fourier’s 1822 work on heat diffusion - but without the framing or generalization that Cooley & Tukey would bring 160 years later.

In 1965, Cooley & Tukey published their now-famous algorithm that reduced the cost of computing a Discrete Fourier Transform from 𝑂(𝑛²) to 𝑂(𝑛 log⁡𝑛). This leap made real-time signal processing and digital media compression feasible.

From radio telescopes to JPEGs, from audio codecs to quantum mechanics - the FFT is everywhere. It’s one of the most important (and elegant) algorithms of the 20th century - rooted in the genius of Gauss, but brought to life in the computer age.

[ryuichi sakamoto @ryuichisakamoto]

NTS Guide to: Sakamoto's Piano Works
Focus on Ryuichi Sakamoto

https://t.co/J99IZoU8jp

#skmtnews
#ryuichisakamoto
#坂本龍一
#NTS

[Peter Caeldries @900hz]

15th anniversary this month. My sound story from Corbett NP, India -
https://t.co/QwbOGnmhaC
https://t.co/8i3RZ0gHmc

[INA grm @Ina_GRM]

Ce soir à 23h30 sur @francemusique, l'Expérimentale, l'émission de l'@Ina_GRM prendra la forme d'un documentaire d'@alexandrebazin consacré à Chris Watson @chrisrwatson compositeur britannique notamment connu pour ses enregistrements de terrain !
https://t.co/fXPfSQqrY2

[Peter Caeldries @900hz]

ambisonic ambix to simultaneous four channel and binaural decoding and equalization -

[Chris Watson @chrisrwatson]

‘fathom’ Oslo rådhus 1900h this evening https://t.co/tXAaK0EUHa

[Michèle Peron @MichelePeron3]

Very happy with my Sonosax MiniR82; clear sound with a lot of details and headroom

[Peter Caeldries @900hz]

recording at the papyrus wetland - KNP - Zambia

[Peter Caeldries @900hz]

ORTF setup by the hippo pool - KNP - Zambia -

[Peter Caeldries @900hz]

@robinrimbaud Hans-Joachim Roedelius

[Peter Caeldries @900hz]

@alex_rogers_cs Mains hum, it is amazing how many underwater environments it is present in.

[IRCAM @Ircam]

Take an hour and enjoy this fim on Pierre Henry from 2007: The Magic Sun

https://t.co/ujzh8s1vqE

[Peter Caeldries @900hz]

new library addition - on a.o. the work by @chrisrwatson -

[Peter Caeldries @900hz]

a quiet morning and listening to a bush warbler singing at the Hokokuji temple -

[Peter Caeldries @900hz]

@kinokophone How low do want to go?

[Peter Caeldries @900hz]

double mid-side in eastern Estonia -