Andrew Blackwood Films

director

[Andrew Blackwood Films @AB_MiseEnScene]

This looks better than 90% of trailers for anything I've seen in the last 5 years! really good trailer at a minimum. For the film, it's a lot of hard work to do live action/animation mix, glad this is seeing the light of day.

[DiscussingFilm @DiscussingFilm]

The first trailer for ‘COYOTE VS ACME’ has been released.

In theaters on August 28.

[Andrew Blackwood Films @AB_MiseEnScene]

Excited for the continuation!

[Apple TV @AppleTV]

The truth will surface.

#Silo returns July 3 on Apple TV.

[Andrew Blackwood Films @AB_MiseEnScene]

@paytonmatting Buy the set for me as a gift and then come over and watch it. You solved a problem and gained a friend

[Andrew Blackwood Films @AB_MiseEnScene]

@paytonmatting It's also on this DVD set which slightly rarely might be at a library, or a nerdy DVD store

[Andrew Blackwood Films @AB_MiseEnScene]

Just has a very unpleasant turning the president into a flesh puppet feel to it

[DiscussingFilm @DiscussingFilm]

Seth MacFarlane says they used AI to make him look like Bill Clinton in ‘TED’ Season 2.

“It's an interesting example of how AI can be used as a tool... We tried prosthetics, we tried traditional CGI, everything else just looked terrifying”

(Source: @AP) https://t.co/g4v2rZaFmd

[Andrew Blackwood Films @AB_MiseEnScene]

Main reaction: horrifying. Maybe within episode, I might have found surprising and hilarious, but my reaction out of context is it feels SO wrong and wasn't worth doing. I would rather see a non-Seth Clinton impersonator/actor play him with wig in costume, likely funnier.

[DiscussingFilm @DiscussingFilm]

Seth MacFarlane says they used AI to make him look like Bill Clinton in ‘TED’ Season 2.

“It's an interesting example of how AI can be used as a tool... We tried prosthetics, we tried traditional CGI, everything else just looked terrifying”

(Source: @AP) https://t.co/g4v2rZaFmd

[Andrew Blackwood Films @AB_MiseEnScene]

My own head was saying this last night! But instead I watched Timecop UGH so much shame

[Atlas Press @realAtlasPress]

“Read, read, read, read, read, read, read, read, read, read.”

—Werner Herzog

[Andrew Blackwood Films @AB_MiseEnScene]

Making many people feel old!

[MIKΞ STAHL @mikeastahl]

This week in 2017, Get Out hit theaters.

Opening weekend: $33M on a $4.5M budget.
Final worldwide gross: $255M.
Oscar for Best Original Screenplay.

A debut horror film. From a comedian. That nobody expected.

Never let anyone tell you what's possible.

[Andrew Blackwood Films @AB_MiseEnScene]

Ahh, special Best Picture cocktails in the luxurious bar! I knew there was a reason we NEEDED this museum!

[Academy Museum of Motion Pictures @AcademyMuseum]

A toast to love, loss, and the poetry in between 🌿 Take a moment to honor those who remain in our arms and those who live on in our memories, in a tribute shaped by the spirit of HAMNET.

No Oscars ticket? Fanny’s has you covered. Toast with champagne, enjoy curated bites and Best Picture–inspired cocktails, and watch the 98th Oscars live.

Tickets are limited—grab yours now: https://t.co/4qlLBxfc64

[Andrew Blackwood Films @AB_MiseEnScene]

FTW in all the noise and hype

[Martin Knight @MartinKnight_]

Keep reading books. It’s cheap. No adverts. Mentally nourishing. And there are millions to choose from.

[Andrew Blackwood Films @AB_MiseEnScene]

@SandroNivola @LoveStoryFX @FXNetworks @hulu @DisneyPlus Every now and then -- and don't over-exert !

[Andrew Blackwood Films @AB_MiseEnScene]

I'll never forget the impression the opening part of Titticut Follies made on me! it's a doozy

[Criterion Collection @Criterion]

Goodnight to the legendary and beloved Frederick Wiseman. ❤️

[Andrew Blackwood Films @AB_MiseEnScene]

This was a very weird and interesting movie. Small scale oddness, some nice crazy scenes. Not as broad in scope or ambition as a few of his earlier films, but I think in an interview he said he had limited budget.

[Criterion Collection @Criterion]

Our new Criterion Premieres edition of Kiyoshi Kurosawa's CLOUD has entered the collection! ☁️🖤
https://t.co/rJnE7WyqZV

A gonzo revenge thriller, a darkly comic anticapitalist critique, and a dizzying plunge into the alienated abyss of the internet, CLOUD is among the most audacious genre experiments to date from master of psychological tension Kurosawa.

[Andrew Blackwood Films @AB_MiseEnScene]

One of the greatest composers

[LA Phil @LAPhil]

Happy birthday to John Adams, a brilliant composer and conductor, as well as a dear collaborator as our John and Samantha Williams Creative Chair. From the US premiere of “Frenzy” in October to your new piano concerto “After the Fall,” which we performed with you and Víkingur Ólafsson, to the continuing project of the LA Phil Etudes, there has been much to celebrate this season. We can’t wait to experience more of your extraordinary music in the upcoming year!

📸: Elizabeth Asher and Halline Overby

[MIKΞ STAHL @mikeastahl]

Filmmaker tip: Your pitch deck isn't a script summary. It's a business case wrapped in a story. Punchy, compelling and don't make it a novel.

Investors want to feel the vision AND see the ROI. Lead with emotion, close with numbers.

Convince them the project is worth it.

[Richard RB Botto @RBwalksintoabar]

Had breakfast with a CAA agent this morning & asked him about the recent spike in screenwriting spec sales.

“Honestly, this is only the beginning. There are many others in play right now as we speak. It’s as excited as I’ve been in 15 years. And don’t sleep on some sectors of TV as well. Second half of the year especially.”

So, there you have it. Carry on.

[Andrew Blackwood Films @AB_MiseEnScene]

She was also in touch of evil, great actress!

[🖤 Buy Physical Media 🖤 @VHSDVDBLURAY4K]

Mercedes McCambridge, who dubbed the voice of the demon in The Exorcist, swallowed raw eggs, chain-smoked, and drank whiskey to make her voice harsh and She requested no credit for the film

[Luke Barnett @LukeBarnett]

Every single bigger win I’ve had in this industry, from landing and agent (both lit and theatrical) to being cast in Dark Winds, I can stem directly back to things I made myself for no money.

It’s not for everyone and will ultimately still come down to if the thing you make is really good, but if you think you can pull it off, I can’t recommend it enough.

[Andrew Blackwood Films @AB_MiseEnScene]

One of my absolute favorite actresses still going strong. Intriguing poster...

[The Film Stage 📽 @TheFilmStage]

Isabelle Huppert is #TheBloodCountess in our exclusive poster debut for Ulrike Ottinger’s Berlinale premiere. 🩸🧛

Learn more: https://t.co/llENmAxKrQ