I'm Andrii. I make AI video ads and motion design for brands.
Product videos, app ads, UGC creatives. Mostly Meta and TikTok.
Veo, Kling, Seedance for generation. After Effects for the finish.
Examples below. Ask how any of them was made 👇
Today, Claude honestly admitted that, in a custom project I’d been continuously refining for prompt creation, it ignored all the instructions and generated the result purely based on its own interpretation. Honesty is great, of course—but it didn’t even promise to do better.🥲
Every AI video brief has one impossible request.
A hand rotating the product. Exact text on packaging. Same face across 8 scenes.
The fix isn't "AI can't do that."
Real product photo composited in. Text in After Effects. Scenes built around what the model holds.
The hard part of AI product video isn't making it look good.
It's making it look like the actual product.
A clip can be beautiful and still have the wrong handle, the wrong finish, the proportions off by 15%.
Customer orders, gets something else, leaves a bad review.
Claude is moving painfully slow today.
Looks like even AI needs three coffees and a couple of snoozes before starting work on Monday ☕️😴
You awake yet, @claudeai?
@cnnbrk Every Russian missile carries two warheads: one filled with explosives, the other counting on the world’s short attention span.
Ukraine needs air defense, not another statement of concern.
Made a promo for an AI staging SaaS (realtors furnish empty apartments virtually).
Lesson: when the value is visual, the demo IS the hook. No VO, no feature list. Empty room → furnished home. You get it in 3 seconds.
Seedance 2.0 + Kling 3.0 + MiniMax, edit in Premiere/AE.
Hot take: the best AI videos are ~40% AI.
Made a SaaS homepage video recently: AI intro (scroll-stopper), screencast middle (trust), AI outro (CTA mood).
The skill isn't generating clips. It's knowing which 6 seconds should be AI.
I can’t prove it, but I can see it and I know it.
@AnthropicAI quietly nerfed the intelligence of every model below Fable 5 when they moved Fable 5 to the credit system.
The difference is impossible to ignore.
Marketers, performance marketers, and media buyers — don’t be surprised when people don’t want to work with you as a team if your answer to every question is, “Everything is in the task.”
After 4 years in video advertising, I’ve learned one thing:
A strong offer that hits the right audience can make even a plain blue ad perform.
A weak offer won’t be saved by the most cinematic video in the world.
The offer comes first. Creative only multiplies it.