A.V. Film Club

Film coverage and reviews from the pop culture obsessives at @TheAVClub

[A.V. Film Club @AVCFilm]

Archie from Riverdale finds love, faith, and a guitar in the blandly inspirational I Still Believe https://t.co/oQ6jI8GEi6

[A.V. Film Club @AVCFilm]

Vin Diesel’s comic-book potboiler Bloodshot is dumb fun dressed like smart sci-fi https://t.co/CracpxcV4r

[A.V. Film Club @AVCFilm]

The Hunt is an anemic political comedy wrapped in a blood-soaked thriller https://t.co/Oq9t8hwcyK

[A.V. Film Club @AVCFilm]

There’s a hint of an even more fascinating story in Netflix’s true-crime drama Lost Girls https://t.co/j2wJHhKNwo

[A.V. Film Club @AVCFilm]

Pete Davidson delivers small-time charms in Big Time Adolescence https://t.co/HDF06HVteA

[A.V. Film Club @AVCFilm]

Gorgeous visuals make the shocking drama Swallow go down easy https://t.co/wsabd2pUpl

[A.V. Film Club @AVCFilm]

Even Mark Wahlberg can do better than the forgettable Spenser Confidential https://t.co/isvTRydslN

[A.V. Film Club @AVCFilm]

Ken Loach grinds another honest man under the cruel gears of society in Sorry We Missed You https://t.co/7BSlWu2oBI

[A.V. Film Club @AVCFilm]

The style is thrilling, even when the story isn’t, in Chinese gangster noir The Wild Goose Lake https://t.co/F4UlgKfpkS

[A.V. Film Club @AVCFilm]

The Banker is rich only with biopic clichés https://t.co/eDCIEeFIww

[A.V. Film Club @AVCFilm]

Kelly Reichardt’s First Cow finds an American creation myth in a touching portrait of friendship https://t.co/XASEi4SLCk

[A.V. Film Club @AVCFilm]

Wendy is a glum gloss on Peter Pan from the director of Beasts Of The Southern Wild https://t.co/e3WPKsJk8A

[A.V. Film Club @AVCFilm]

Saint Frances finds grace, humor, and an ode to the female body in a familiar indie premise https://t.co/N4O6j5wv4P

[A.V. Film Club @AVCFilm]

Greed, for lack of a better word, is not good https://t.co/KRZmlHPKoj

[A.V. Film Club @AVCFilm]

The KKK redemption drama Burden means well but misses the bigger picture https://t.co/8fLjuwkwsD

[A.V. Film Club @AVCFilm]

The Whistlers is a delectable deadpan noir https://t.co/IWehhx6Ym0

[A.V. Film Club @AVCFilm]

The Oscars should have made room for the intense and elemental A White, White Day https://t.co/f0mJViKmNE

[A.V. Film Club @AVCFilm]

A new version of #TheInvisibleMan makes one of his victims intensely visible https://t.co/fJrUl5nfxU

[A.V. Film Club @AVCFilm]

The spooky doll is an oddball delight, but Brahms: The Boy II is not https://t.co/hFoZMalJpf

[A.V. Film Club @AVCFilm]

Ana de Armas is way too good for the lousy, sub-De Palma thriller The Night Clerk https://t.co/EfDkZn96N1