Back against the wall, I just finished a script no current AI model could write, because it isn’t built from recycled structure or synthetic studio taste. It’s forward-facing. Internal. Brutal. Personal.
It came from my memory, guilt, grief, violence, love, and things I still don’t fully understand about myself.
Now, I am going to direct it.
Wish me luck. Send prayers my way. Because it is gonna cause chaos for everyone...as it should.
#filmtwitter #writers #movie #under
He had his brake lines cut!!! Holy shit! The agencies that are really great at killing people and keeping secrets really suck at killing people and keeping secrets. So which is it Jeremy? Play out fact and stop with this anecdotal bullshit. Absolute grifter. He’s going from speaking gig, speaking gig, talking about danger, heat, and that there’s a hit out on his life. Give me a fucking break.
@NodeBaron@Uber Rule number one in Sao Paolo. Don’t use your phone in an Uber. Your driver probably told you that.
Rule number two, only use the Rhino App. Bullet proof armored cars with armed prescreened drivers and not more expensive than an Uber.
@bluecrayon71@Munook@fringedotcom I think he needs to contact cheaters. His wife definitely had a thing for the greys. Yeah, I bet there was a lot of “starseed” dropped when he was gone.
@LiberationTimes@MrMosis Does this guy just walk around town being followed by professional photographers who randomly just have him sit and pose with his, “I’m carrying a heavy burden on my shoulders “face? This guy has more head shots than John Stamos.
Quentin Tarantino slams Hollywood as a "flavorless sausage factory" where miscast actors and "audience pandering" are ruining new movies.
“Flaws, implausibilities, audience pandering, miscast performers or just plain stupid s*it usually torpedoes every new movie coming out of the flavorless sausage factory that used to call itself Hollywood. These days, the entire concept of what is a movie is more inclined to inspire contempt in me than generosity... I’ve seen movies I liked since – ‘West Side Story’ (2021); ‘Horizon: An American Saga’ Chapter 1 and 2 (both 2024), a few others, but nothing that really held me in its grip and swept me away to the magical land of enjoyment that I use to visit regularly and was the reason I loved movies above all other artforms. These days I’d rather read a book." (via Sight & Sound)
https://t.co/Kslpbd4uoN
Honestly.
Sing to the cadence of team America world police.
“Disclosure! Fuck yeah!!
Never mind Ill be at Wiseguys comedy!
Disclosuuurree! Fuck yeah!
On UAP’s I’m the only authority!”
I don’t wanna hear, sacrificing my life for the goodwill of disclosure and the betterment of mankind, martyr porn bullshit anymore coming from you or jeremy trust me, bro Corbell.
Clown show.
@kyle_ferriter@MattDaWhite Also, I love how “the deep state “is blocking Trump from seeing anything with aliens. But nobody has ever named. No name is ever dropped. It’s always just the deep state.
Case solved! Pack it up scientists and physicists!
The same guys who brought you such hits as “we hate Galileo”, “Humoral Theory, bleed the sick away”, “geocentrism or die”, “heliocentrist go to hell,” and their club banger, “that’s not a germ, its divine punishment, miasmas or astrology,” and rheir chart topping hit, “touch em young then deny” have a new single...
“Satan Drives a UAP.”
Cool!!!
Everybody thinks their movie is going to be awards bait. Everybody thinks their movie is going to be successful.
The thousands of pitch meetings that I’ve sat in usually lead with, “this is awards bait. Or this is going to be a massive success.”
And none of them are. Not one. Most don’t ever get made. Not even mine. The film that I thought was gonna do very well was a disaster and there were factors outside the film that made it so.
The film that I thought was going to be a throwaway ended up being the six most watched film on Netflix. No one knows what the fuck will take off in the marketplace.
You do understand sales right? It’s not just about people making whatever they want make.
There are those who make whatever they want to make, but it’s very seldom commercially viable.
There is also a Grand Canyon sized chasm between an idea and it becoming a phenomenal film. There is the movie you write, the movie you direct, the movie you edit, the movie you sell and often times all of those movies are different movies.
There’s so many moving parts to determine what will be successful and what will not. For you to just diarrhea of the mouth say “let’s make a movie about Stonewall Jackson. It’ll be awards bait and be phenomenal.”
Is absurd and lacks the basic understanding of the film business, but also the common sense that God gave goats.