@CinemaTweets1 Not sure you could describe The Hurt Locker as a political thriller! Military thriller, sure. Exercise in pure, nail biting tension, absolutely.
Emma Thompson tells AI to "just f*ck off" and calls it an "intense irritation" as a screenwriter.
"I write long hand on a pad, old script actually, because I believe that there is a connection between the brain and the hand. So it’s very important to me. And then when I’ve written something, I will put it into a Word document. And recently, the Word document is constantly saying, ‘Would you like me to rewrite that for you?’ And so I end up just saying, ’I don’t need you to rewrite what I’ve just written, will you fuck off?! Just fuck off' I’m so annoyed."
Read more here: https://t.co/zTcKn38tj8
@mrnateathon @kevindtra @bobgoochman@THR Or Final Cut, which after Alien 3 he insists on. He’s making the films he wants to and his last film The Killer got a theatrical release so not sure what OP is whinging about. The issue is more with the “big” studios only green lighting cut and paste films.
@DannyManus You’re closing statement is exactly why it ends in such a smart way. Because the real life version is far more terrifying than anything they could have put on screen. And they know they’ve planted seeds in your mind to exactly that effect.
@TheCinesthetic The scene in Seven, in the car… John Doe argues with Mills… all the while Somerset sits there quietly realising he agrees with everything Doe believes in but attacks it from the opposite point of view. The entire theme of the film perfectly articulated in one gripping scene.