AlexandraEDumitrescu

Debut poetry collection 'Transformation.' Poet, writer of short stories & a novel in progress. "Mother of metamodernism" (Gary Forrester). Passionate listener.

[AlexandraEDumitrescu @AlexandraBalm]

Spovedania. Povestea unei femei aproape fericite https://t.co/594DsqPMZk

[Ihtesham Ali @ihtesham2005]

A Norwegian neuroscientist spent 20 years proving that the act of writing by hand changes the human brain in ways typing physically cannot, and almost nobody outside her field has read the paper.

Her name is Audrey van der Meer.

She runs a brain research lab in Trondheim, and the paper that closed the argument was published in 2024 in a journal called Frontiers in Psychology. The finding is brutal enough that it should have changed every classroom on Earth.

The experiment was simple. She recruited 36 university students and put each one in a cap with 256 sensors pressed against their scalp to record brain activity. Words flashed on a screen one at a time.

Sometimes the students wrote the word by hand on a touchscreen using a digital pen, and sometimes they typed the same word on a keyboard. Every neural response was recorded for the full five seconds the word stayed on screen.

Then her team looked at the part of the data most researchers had ignored for years, which is how different parts of the brain were communicating with each other during the task.

When the students wrote by hand, the brain lit up everywhere at once.

The regions responsible for memory, sensory integration, and the encoding of new information were all firing together in a coordinated pattern that spread across the entire cortex. The whole network was awake and connected.

When the same students typed the same word, that pattern collapsed almost completely.

Most of the brain went quiet, and the connections between regions that had been alive seconds earlier were nowhere to be found on the EEG.

Same word, same brain, same person, and two completely different neurological events.

The reason turned out to be something nobody had really paid attention to before her work. Writing by hand is not one motion but a sequence of thousands of tiny micro-movements coordinated with your eyes in real time, where each letter is a different shape that requires the brain to solve a slightly different spatial problem.

Your fingers, wrist, vision, and the parts of your brain that track position in space are all working together to produce one letter, then the next, then the next.

Typing throws all of that away. Every key on a keyboard requires the exact same finger motion regardless of which letter you are pressing, which means the brain has almost nothing to integrate and almost no problem to solve.

Van der Meer said it plainly in her interviews.

Pressing the same key with the same finger over and over does not stimulate the brain in any meaningful way, and she pointed out something that should scare every parent who handed their kid an iPad.

Children who learn to read and write on tablets often cannot tell letters like b and d apart, because they have never physically felt with their bodies what it takes to actually produce those letters on a page.

A decade before her, two researchers at Princeton ran the same fight using a completely different method and ended up at the same answer. Pam Mueller and Daniel Oppenheimer tested 327 students across three experiments, where half took notes on laptops with the internet disabled and half took notes by hand, before testing everyone on what they actually understood from the lectures they had watched.

The handwriting group won by a wide margin on every question that required real understanding rather than surface recall.

The reason was hiding in the transcripts of what the two groups had actually written down.

The laptop students typed almost word for word, capturing more total content but processing almost none of it as they went, while the handwriting students physically could not write fast enough to transcribe a lecture in real time, which forced them to listen carefully, decide what actually mattered, and put it in their own words on the page.

That single act of choosing what to keep was the learning itself, and the keyboard had quietly skipped the choosing and skipped the learning along with it.

Two studies. Two countries. Same answer.

Handwriting makes the brain work. Typing lets it coast.

Every note you have ever typed instead of written went into your brain through a thinner pipe. Every meeting, every book highlight, every idea you captured on your phone instead of on paper was processed at half depth.

You did not forget those things because your memory is bad. You forgot them because typing never woke the part of the brain that would have made them stick.

The fix is the thing your grandmother already knew.

Pick up a pen. Write the thing down. The slower road is the faster one.

[AlexandraEDumitrescu @AlexandraBalm]

https://t.co/yie7ttoLUQ

[The Turning Leaf Journal @theturning_leaf]

Only 3 weeks left to submit!

https://t.co/zoDMb8wD4P

[Driftwood Press @driftwoodpress]

Link in bio to pre-order the Driftwood 2026 Anthology: including over 170 pages of fiction, over 80 pages of poetry, and over 10 pages of comics and visual arts. Plus! Exclusive interviews and craft talks with our authors. #literatureanthology

[Brandy Vallance | Literary Agent, Story Consultant @BrandyVallance]

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[Apricot Press @ApricotPress]

Happy world poetry day!

I love this quote from Maya Angelou. One of my favourite things about running Apricot Press is offering writers the opportunity to record their work - be it poetry, short stories, flash fiction or essays - as an audio file for the website.

[West Trade Review @WTRlitmag]

Our contest deadline has been extended until March 29th.

[AlexandraEDumitrescu @AlexandraBalm]

One good thing about having lived in a communist country is that one doesn't need a war to recognise signs of autocracy.

[The Moth Magazine @themothmagazine]

11 days to go! ⏰️ Calling all #kidlit poets...

Not long left to enter this year's Caterpillar Poetry Prize for the chance to win up to €1,000, plus a stay at the Moth Retreat in Ireland.

Closing 31 March: https://t.co/2ZyhS0Mu3o

[AlexandraEDumitrescu @AlexandraBalm]

https://t.co/6vbTyWVhVv

[SFWP @SFWP]

Celebrate the first day of Spring by submitting to Issue 33 of the #SFWPJournal!

We're looking for #poetry, #CNF, and #shortstories of every genre, and our deadline is April 16th. https://t.co/YTClFBYxLb

[Chill Subs @chillsubs]

What to do on a random Friday night? Why, submit your work to lit mags of course!

Find them here: https://t.co/ExIjxjsXnO

[The Florida Review @TheFLReview]

Submissions for our annual Editor’s Prizes are open until April 15, 2026!

Each winner receives publication in The Florida Review and $1,000 upon publication.

You can find further guidelines and submit your work on our Submittable page.

#flreview

[West Branch @WestBranchMag]

is this thing still on over here

[Paul D. Deane @PaulDeane3]

https://t.co/OOePyP92I1

[Paul D. Deane @PaulDeane3]

Reminder: poetry submissions deadline for the Spring issue of Forgotten Ground Regained is April 1.

#submissionscall #poetrycommunity #poetry #poetrytwitter (link in replies)

[Cincinnati Review @CincinnReview]

To all literary nonfiction writers: submissions to issue 23.2 are open, and LNF Editor Kristen Iversen is searching for pieces that center around the theme of "Reckoning." Send us your best work on the topic via our new Submittable portal. Link to submit in first comment.

[West Trade Review @WTRlitmag]

Our 5th annual fiction contest is open. Grand prize is $1,000 and publication in the Spring 2027 print edition.

Contest deadline extended to 3/29

See the link below for details:
https://t.co/zipNmCItT4

#writingcommunity #writing #poetrycommunity #writingcontest #reading

[AlexandraEDumitrescu @AlexandraBalm]

@samneill_11 Lovely! Central Otago and its sunflowers are beautiful.