@vacationerYC Right now it’s mostly the pilot and the plane you could hint at the passengers trusting the system as a third subject to add more emotional depth by the ending. #peerreview3
@vacationerYC Some of the flight callouts like "V1 rotate" and "positive climb" could be trimmed a little they get a bit heavy back-to-back. #peerreview3
@vacationerYC This project is cool bc it shows how even when things feel solid and in control, turbulence either in flight or life reminds us that uncertainty is always part of the journey. #peerreview3
@dilara_y444 Main thing I’d work on is pacing since there's over 2 minutes before the voiceover starts, you could either tighten the intro a little or layer in something small (like a faint ambient sound or thought) earlier to build up to it throughout #peerreview3
@dilara_y444 Right now it’s mostly you and your feelings there's not really a third subject maybe you could hint at the audience near the end to open it up more. #peerreview3
@dilara_y444 Clearly you're showing that social media reality isn't real, it's constructed, and messy. The way the voiceover drifts in after all the silent painting drives that feeling home I think. #peerreview3
@dilara_y444 I wouldn't cut much, I like the length but the first 2 mins are a little slow maybe try bringing in the voiceover just a little earlier to keep the audience hooked? #peerreview3
#hwa7#oppenheimer209 I think TAOK lands on the fiction reality fantasy side of the spectrum but still not too far from the middle, there were things said as fact that are lies and it was a show within a show film at its core
I think Anwars most vulnerable moment was when he returns to the rooftop and starts gagging. Hes having an intense reaction to the memory of killing, and like you were saying earlier, he loses control of the narrative and we see a crack in the performance. #hwa7