Opening night at the @glyndebourne festival was a great success! Totally in love with #ethelsmyth work , #thewreckers.
We literally and metaforically set the house on 🔥! FULL STANDING OVATION! @glyndebourne
La gallega Ana Inés Jabares-Pita es la primera artista de nuestro país que firma una escenografía –'As You Like It'– en la prestigiosa Royal Shakespeare Company. Por @juliobravo1963 https://t.co/dLnWbXN6RZ
Very revealing and depressing. I remember doing the maths for one show, and it was £4.5 per day what I was being paid, which is an absolute nutter. Two conclusions: the fees should be higher and don't make your co-workers waste time.
Rebecca Frecknall's interview in @TheStage has prompted me to break out a thread I have sat on for a while. It breaks down what I think is the biggest obstacle in theatre but the least openly discussed... Pay
So here is the THEATRE PAY MATHS THREAD 🧵👇
https://t.co/sxwqfVQeex
Pride and prejudice #sortof is breaking box office records and a couple of 78rpms with this incredible tour now extended thru July of next year @pandpsortof
Y aprovechando la coyuntura, soy escenógrafa y me encantaría colaborar contigo. Ahora mismo estoy trabajando en NY en esta pieza de danza.🤩https://t.co/Cg6xTxyLqO
@rosalia es mejor que el print de leopardo, ha conseguido unificar pijas, chonis y heavys + flamencas+ k-pop+ haikus+ etc. Vaya explosión auditiva y visual ayer en #NYC@RadioCityNYC! Perfect pitch, mucho curro, perfección y ARTE!❤️
Final Selection of shows I saw in Edinburgh:
Grandmother’s Closet
(@lukehereford)
Burn
(@franticassembly and @AnaInesJP and Alan Cummings)
I missed Hungry cos of a lil’ casual racism shortly beforehand but it is highly recommended!
(@ChrisBushWrites and @katieposner)
"We are getting to know [Burns] very personally... a different side of him, that’s less known."
Designer Ana Inés Jabares-Pita (@AnaInesJP) spoke to The Quinntessential Review (@The_Q_R) about her career and collaborating with the #Burn2022 creative team.
https://t.co/FcxFq5nuUs