The collective project of James Chinneck, Chris Bloor and Derek Horton, curating international contemporary art in Leeds, 2013-2017. Tweets from Derek Horton.
From 2014-2017 @AndmodelLeeds presented 27 exhibitions and residencies curated by Chris Bloor, James Chinneck and Derek Horton, playing a key role in Leeds’s creative and cultural scene. Find out more about their projects here: https://t.co/x1pvUUv3Tc
Our latest Soanyway, Issue 11, Redux, online now https://t.co/EF3cQKB5SX Redux—restoration, reinterpretation, remaking, remixing, re-editing, are the themes this issue of Soanyway.
With this issue we are also launching a new feature, Soanyway Reviews.
Our 10th issue will be out soon—we invite submissions in the form of a CONVERSATION, (deadline 31 August 2021). Maybe an interview (audio, video or transcript) or a broader interpretation of the conversational—as poetry, scripted dialogue, or a visual exchange of images/objects.
Calling #sculpture researchers! There's a fantastic #job opportunity to work on "Hepworth’s Progeny: Generations of Women in Sculpture in Britain — Lives, Work, Careers and Social Change 1960-2021" @HepworthGallery
https://t.co/yjXlh5Myv0
We welcome submissions of photographs for covers of future issues of our online magazine. Check out our past covers here - https://t.co/EF3cQKSGKv Please submit max 5 images to [email protected] with the subject heading ‘COVER IMAGE’. More details below.
Delighted to see this shot of a great work by #CullinanRichards in our window in 2014 included in ‘For Marlow Moss’ by @BickAndrew - part of Dora: Dialogues on Women’s Creative Practice and Thinking. You can see the full text pdf here https://t.co/rkj4jLC6xy @DorichHouse
We are pleased to announce that the tenth contribution to Dora: Dialogues on Women's Creative Practice and Thinking has now been published.
'For Marlow Moss' by Andrew Bick, explores the life and work of pre-war British constructivist artist Marlow Moss.
https://t.co/OcVv6Ummex
From Issue 8–ADAPTATION, RETELLING https://t.co/bslLqY7SUn — Conway Hives by @Deborah95355946 made to fit ceiling windows in the art deco Conway Hall (referencing beehives on the building’s roof) and subsequently shown on gallery walls and floors. #conwayhall
If you haven’t checked out our magazine lately, there’s a new way to search it. We now have an index of covers https://t.co/dJdKo5amuD Or you can search the separate contributor index (over 100 now), or of course you can just browse each magazine issue.
'sand pour' (1968) is one of a number of sand works that Flanagan made from 1966 onwards, having used the material whilst working on building sites in Montréal. Installation photos at 'Light pieces and other works' at @AndmodelLeeds in 2017.