@WWEGable gracias maestro por darnos el mejor villano que hemos vistos en la época actual de wwe el mejor hell de toda es nueva era siempre seras og Américano , un ejemplo a seguir #graciaschadgable#mejorhell2026#mejorluchadoraaa
¡LA MEJOR OPINIÓN ACERCA DE LA PIRATERÍA!
«Si un sistema está desactualizado, la culpa recae en el sistema, no en las personas atrapadas dentro de él». 🗿
«Si un niño juega un juego prestado por un amigo sin pagarlo, ¿Ese niño es una mala persona?».
«Si las personas cambian y los tiempos cambian, y el sistema no cambia, los errores serán inevitables. El problema siempre será el sistema». ✍️
Palabras de Shiten Akiyama, autor del manga HORIZON.
@ITwoddl@YD20250410 You’re mixing unrelated concepts. Illegal translations don’t define or justify how the industry works.
There is talent across the Americas, but the global comics industry is still centered around Marvel Comics and DC Comics.
This isn’t ideology—it’s market structure.
@YD20250410@ITwoddl There is no “theft of talent” or conspiracy. We are from the same continent.
There are writers and artists from all over the Americas working at Marvel Comics and DC Comics.
It’s not “them vs us”: it’s talent from all across the Americas in the same industry.
@YD20250410@ITwoddl America is a continent, not a country. Many artists do work from their home countries.
But the global comics industry is centered in Marvel Comics and DC Comics.
It’s not about “not working locally,” it’s about where the global market is.
The question is simply misframed.
@ITwoddl@YD20250410 Where do you read your DC Comics or Marvel Comics comics?”
On official digital platforms or physical editions—that’s how licensed industries work.
Crunchyroll doesn’t erase the history of digital distribution or turn exceptions into the rule.
@YD20250410@ITwoddl Destroyed industries”? Latin talent is shaping global culture.
Fabian Nicieza co-created Deadpool. George Pérez redefined Wonder Woman. Humberto Ramos drives Spider-Man.
Korea/Japan are strong—but not flawless.
This isn’t analysis. It’s noise.
@YD20250410@ITwoddl 정말로 창작자를 생각한다면, 디지털 확산이 많은 작품에 얼마나 중요한 역할을 했는지도 인정해야 합니다. 원펀맨은 웹코믹으로 시작해 온라인에서 퍼지며 성장했고, 결국 글로벌 히트작이 되었습니다. 이는 무엇을 정당화하려는 게 아니라, 이 문제가 그렇게 단순하지 않다는 걸 보여주는 사례입니다
@YD20250410 글로벌 확산이 중요하지 않았다면 The Horizon 같은 작품들도 자국 밖에서 독자를 얻지 못했을 겁니다. 실제로 많은 작가들이 생존을 위해 작품을 번역하고 유통할 방법을 스스로 찾아야 했습니다. 문제는 ‘도둑�� vs. 노력’처럼 단순하지 않습니다
En LATAM muchos descubrimos el manga/webtoon cuando no había acceso legal; para varios fue un refugio.
Hoy, ya adultos, muchos sí apoyamos cuando podemos.
No es ‘ignorancia’, es contexto: disponibilidad, precios y distribución. Cuando eso mejora, el apoyo también
#tumanga