I’m a 3D Artist from Vietnam.I'm working freelance at the moment.I’ve been working in cartoon since 2002 and I love this job. welcome to my blog.many thanks
MOAR expression references for artists! 🎥
Marked the midline and other key areas for detail study. This is just a teaser from my latest mad science experiment. Way more to come ;) https://t.co/Bqo2eYDHVG
#animation#arttips#drawing
When you’re starting out in animation, you’re more likely to get a role in TV before moving into feature films.
However, when we learn animation, we’re typically taught using a feature film workflow.
In TV, you don’t get as much time to plan, animate, and polish, and you have to animate a LOT more, and much faster!
That said! We’re incredibly excited to introduce our all-new TV Animation Mentorship!
We have designed this mentorship to emulate what’s expected of you when animating for TV, just as our feature mentorships prepare you for the standards expected in feature films.
With our TV mentorship, you won’t just animate a shot, you’ll animate an entire sequence!
You’ll be using our exclusive TV rigs from our upcoming TV series The Lores of Science.
We’re excited to have Brittney Thalayan ( TV Animation Director, and Lead Animator ) and Oz Durose, ( Lead Animator ) who have worked in the TV animation industry for over ten years, passing on all their industry experience, and passion for animation to you, during your mentorship.
Included in the mentorship is a 5-hour TV workflow course created by Brittney Thalayan, where you’ll learn the TV Animation workflow before your mentorship begins, so you can hit the ground running.
If you want to break into the animation industry, TV animation is a great place to start.
And if you want to learn how to animate for TV, you need to look no further!
To enrol with Brittney and Oz, you can do so via our student portal here.
https://t.co/zk9G8hkVTa
Can't wait to see you there!
Game studios want combat that feels fluid, not robotic. Our students nailed it—see for yourself. Comment apply to start building shots studios look for.
Shot by Krzysztof Barwinski
Director Hyrum Osmond and his team discuss adapting existing animation, building character-specific signing styles, and treating ASL as a core storytelling tool.
https://t.co/bLaNIh51xx
🚨 EVERYTHING COMING NEXT! During their panel at Cinema Con 2026, Disney announced the dates of its upcoming theatrical releases, entitled to a new logo for ‘Hexed’!
✅ Visit our main channel :
👉 https://t.co/jxl8QoSYTs
#CinemaCon2026#3DAnimationInternships#AnimationBreakdown
Storyboards for an earlier version of Wolf and Diane’s phone call after the Lucha Libre scene, where he misses their first date. #TheBadGuys2
🎨Nick Leong