Emails from G Replied to from the film:
"T: Ghosts in the Machine". Virtual Alien and Old Nick.
Living with a time bomb called #tinnitus
https://t.co/gVeq1uvL7w
“The Idiots. The Complete Inquisition”.
In this trouble times where the UK could soon be defined as a totalitarian state if we allow it, it is paramount to deconstruct events that have led to this situation.
“The Idiots” is a film is about the making of an investigation and creation of intelligence and how far free speech allows this intelligence to be presented and conveyed.
In order to save the world from complete insanity, one needs to deconstruct history deleted from the memory of the Matrix's consciousness. The first step in line is to destroy political correctness from the ideology that has been allowed to ransack the world that we have today.
James Hogan passed away nearly three years ago. Before he passed away, he asked me to film him talking about his life as a producer and director of some outstanding BBC programmes, including an infamous BBC Panorama programme that ended up in the High Court. James talks about his life one of the top 10 City advisors and advisors to some Prime Ministers.
His life is interlaced with mine and since 1997, co-produced all of my films. During that highly intensive and roller coasting life we witnessed extreme chaos, some of the biggest film frauds (and ongoing, they are called games now) probably in the world taking place in England, the role of civil servants in all this that ended up with a total of 25 billion of tax payers’ money wasted between all governments departments, the total paralysis of all the authorities and regulators (ongoing) leading to an open fraud society and the phenomenal decline where Britain is today.
Was it really the fault of the civil servants or something much more sinister? Is this part of a general dysfunctional methodology or ideology?
We even did the impossible and unmentionable; an opera murder mystery thriller, The Y2K File based upon a story that we believed it to be true, about child abuse and cannibalism. We did report our findings at the time to the authorities but they have ignored us. We have been vilified and exorcised for making the film. The authorities tried to ban the film but failed and 8 million people saw it online. In January 2026, the Epstein List has finally been released and the same story, same names, same horrors, dated back from 1999 appeared on it. I have been alerted when many people viewed the film and realised that it was exactly the same story.
How did we know? Because they knew; the authorities knew. They all knew and it came from the top.
I turned down fox hunting (totally against it) weekends back in 1999 in order to "network" and as James reminded me (I didn't know then), I turned down Epstein Island. Why? Because I knew then and it's all in the book.
We interviewed 13 of the biggest British broadcasters, ex-director generals of the BBC and chairmen of the BBC in RED and asked about Jimmy Saville, and Kier Starmer was also mentioned. Everyone knew but no one could say anything. I did, but when you say it, you are exorcised or worse.
In the late 2000 years, Gordon Brown asked James Hogan about the film fraud, the scale of it and how to end it. Nearly about the same time, James has been hired by the people who organised this fraud to ask Gordon Brown to "bury" HMRC. James and I agreed not to do it. The very man running the fraud on behalf of the most dangerous was ready to kill us in his office. James had never seen anything like it (I did) and a violent struggle followed to leave the office. Many years later, we were still receiving death threats.
James passed away after an aggressive cancer, followed by a major heart surgery where he contracted a major infection then thrown out of the hospital in the care of the community (mine that is) like thousands of other patients. What really happened with the NHS and the strike? What happened in the mind of the self-proclaimed Maoist head of the BMA union? I have found out. I know.
The problem is how to convey and present the evidence in keeping complete intellectual coherence when so many stories are interlaced? James advised me: "be focused!"
Both James and I went through separate IRA bombings and we know when a bombshell is ready to detonate and that everything must be done in order to prevent it.
The content may be construed as brutal but so is life in 21st century Britain (and in the world) and all of us do not have long to prevent the country (and the world) from a return of Stalin and Hitler controlling the Augmented Reality that we have been forced-fed with.
James said that I was a "triggerer" and he was too since we both made films and in order to do this, met people and then happen to accidentally stumble across the international crime consortium.
I call it perception.
The complete version (“The Idiots. The Complete Inquisition”) of the book (featuring deeply disturbing evidence) explaining in details the story of this machinery running the United Kingdom. The user is advised about the most horrendous and most disturbing content and all reviewed by lawyers and psychologists.
Available at Amazon and Apple books
https://t.co/5p38x8YTWp
Between Time and Space (Btas) is an experiment based on the "E.S.T." process and therapy. "E.S.T." is an experiment where someone is locked inside a room in complete obscurity for a month or longer in order to cure any ailment.
In an experimentation, everyone is a number and all the characters; the victims and the patients are merely a data. This experimentation has happened, may not happen or has yet to happen. The action might have taken place 50 years ago, last year or in 5 years' time. The premise of the E.S.T. (Est) experiment is: keeping someone in the dark for as long as it is possible -one month in theory-, filming and recording everything and subject the contestant to a series of interviews in order to define the person but also to treat this person from any possible mental problems.
There is no time limit: the experimentation can go on for as long as the number is still alive.
There is a direct correlation between Augmented Reality and Reality. Reality being the transportation of life on Earth from concept / birth to death and even the afterlife. Augmented Reality is escapism.There is a clear will leading to escapism. Escapism is a momentarily lapse and escape is the radical departure from everything (of it all) to whatever and wherever that is.
The film has 21 chapters: exhibits.
Exhibit 1. Map of the Universe.
Exhibit 2: Venus. Submitting to the authority.
Exhibit 3. Saturn. Acknowledging Submission.
Exhibit 4. Mercury. Obedience.
Exhibit 5. Uranus. Transcending.
Exhibit 6. Titan. Complete Annihilation.
Exhibit 7. Mars. Transmitting.
Exhibit 8. Neptune. Remembering, absorbing the thought.
Exhibit 9. The Moon. Thoughts gathering: seeking to express and communicate.
Exhibit 10. Earth. Defiance.
Exhibit 11. Jupiter. Abnegation.
Exhibit 12. IO Resilience.
Exhibit 13. Europa. Acceptance, transmitting...
Exhibit 14. Triton. Transmission.
Exhibit 15. Charon. Space / time travel.
Exhibit 16. Callisto. Controlled.
Exhibit 17. Pluto. Away.
Exhibit 18. Sun. Complete annihilation.
Exhibit 19. Pallas. Navigating between planets.
Exhibit 20. Beyond the Milky Way. Free.
Exhibit 21. Epilogue.
Released by EdgeImageBank Pictures
Cast
Old Nick - Dr Kelvin
John Waterhouse - III
Jonathan Cross - II
Jane D'Arbanville - IV
Jenia Emmanuelle - I
Mark Joseph - V
Janet Priest - VI
Written and directed by Nick Peterson
Produced by: Alex Altman, James Hogan, Nicolas Mamin, Tom Norwood
Music by: Virtual Alien and Old Nick
Cinematography by: Nicolas Gaud, Tom Norwood
Edited by: Thomas Norwood
Amazon books
https://t.co/J8Fr6ktNVU
The Idiots. The complete Inquisition.
Screenplay from the feature film conceived and written by X1 and his alter ego X2 (Old Nick and Virtual Alien) AKA Nick Peterson and James Hogan (supervising it from the Heavens above).
In this trouble times where the UK could soon be defined as a totalitarian state if we allow it, it is paramount to deconstruct events that have led to this situation.
“The Idiots” is a film is about the making of an investigation and creation of intelligence and how far free speech allows this intelligence to be presented and conveyed.
In order to save the world from complete insanity, one needs to deconstruct history deleted from the memory of the Matrix's consciousness. The first step in line is to destroy political correctness from the ideology that has been allowed to ransack the world that we have today.
James Hogan passed away nearly three years ago. Before he passed away, he asked me to film him talking about his life as a producer and director of some outstanding BBC programmes, including an infamous BBC Panorama programme that ended up in the High Court. James talks about his life one of the top 10 City advisors and advisors to some Prime Ministers. His life is interlaced with mine and since 1997, co-produced all of my films. During that highly intensive and roller coasting life we witnessed extreme chaos, some of the biggest film frauds (and ongoing, they are called games now) probably in the world taking place in England, the role of civil servants in all this that ended up with a total of 25 billion of tax payers’ money wasted between all governments departments, the total paralysis of all the authorities and regulators (ongoing) leading to an open fraud society and the phenomenal decline where Britain is today.
Was it really the fault of the civil servants or something much more sinister? Is this part of a general dysfunctional methodology or ideology?
The whole story explores the mechanism and role of this methodology used by civil servants, from MI5 / HMRC / DCMS / BFI and especially the near billion film fraud of the years 2000 ratified by the DCMS.
James was one of the most energised persons in the world and when I first met him in 1997, already lost in show-business since I was 14 and he was always determined and enthusiastic, even in the face of adversity and especially enthusiastic about my projects: "Do it!" was his catch phrase.
We even did the impossible and unmentionable; an opera murder mystery thriller, The Y2K File based upon a story that we believed it to be true, about child abuse and cannibalism. We did report our findings at the time to the authorities but they have ignored us. We have been vilified and exorcised for making the film.
The authorities tried to ban the film but failed and 8 million people saw it online. In January 2026, the Epstein List has finally been released and the same story, same names, same horrors, dated back from 1999 appeared on it. I have been alerted when many people viewed the film and realised that it was exactly the same story.
How did we know? Because they knew; the authorities knew. They all knew and it came from the top.
I turned down fox hunting (totally against it) weekends back in 1999 in order to "network" and as James reminded me (I didn't know then), I turned down Epstein Island. Why? Because I knew then and it's all in the book.
We interviewed 13 of the biggest British broadcasters, ex-director generals of the BBC and chairmen of the BBC in RED and asked about Jimmy Saville, and Kier Starmer was also mentioned. Everyone knew but no one could say anything. I did, but when you say it, you are exorcised or worse.
In the late 2000 years, Gordon Brown asked James Hogan about the film fraud, the scale of it and how to end it. Nearly about the same time, James has been hired by the people who organised this fraud to ask Gordon Brown to "bury" HMRC. James and I agreed not to do it. The very man running the fraud on behalf of the most dangerous was ready to kill us in his office. James had never seen anything like it (I did) and a violent struggle followed to leave the office. Many years later, we were still receiving death threats.
James passed away after an aggressive cancer, followed by a major heart surgery where he contracted a major infection then thrown out of the hospital in the care of the community (mine that is) like thousands of other patients. What really happened with the NHS and the strike? What happened in the mind of the self-proclaimed Maoist head of the BMA union? I have found out. I know.
What happened to HMRC? Why are they losing all the NIC contributions?
Why is the whole money collected in taxes by HMRC doesn't tally with its administration? Why is it hell to work within HMRC?
I found out. I know. The problem is how to convey and present the evidence in keeping complete intellectual coherence when so many stories are interlaced? James advised me: "be focused!"
Both James and I went through separate IRA bombings and we know when a bombshell is ready to detonate and that everything must be done in order to prevent it.
The screenplay to the film is out and week by week available in French, German, Italian, Portuguese and Japanese.
The content may be construed as brutal but so is life in 21st century Britain (and in the world) and all of us do not have long to prevent the country (and the world) from a return of Stalin and Hitler controlling the Augmented Reality that we have been forced-fed with.
The Left must focus on Lenin and the Right may need to do the same or at worst Lady Thatcher until she finally became a member of the Tory party.
It was part of James's legacy that the story be told, writing the release of the project on paper and signed it in big. James refused to be in the film if I wasn't and that was a major problem for me but I experimented many, many times and in the end I did it and explained in my "own words" (as James specifically wanted) and this had delayed the release of the project. James said that I was a "triggerer" and he was too since we both made films and in order to do this, met people and then happen to accidentally stumble across the international crime consortium.
I call it perception.
The complete version (“The Complete Inquisition”) of the book (featuring deeply disturbing evidence) explaining in details the story of this machinery running the United Kingdom. The user is advised about the most horrendous and most disturbing content and all reviewed by lawyers and psychologists.
Available at Amazon and Apple.
Apple Books
https://t.co/IvADGDptWA
The Story of Heaven and Hell (The Making of a Ballet).
Two outcasts from society discover that they have been played by an unscrupulous world and the only way to survive it, is to rise above it all and dance the evil away even kill "it".
One of the outcasts is threatening the other with a gun. They are having a violent interaction amongst the dancers. The dancers are the angels.
They come to the rescue of the threatened outcast, by performing the “devil dance" conjuring the evil spirits. They surround the evil and the threatened outcast managed to remove the gun from his enemy and kill him. He has killed and he is evil too. The murdered outcast is lying on the floor and the dancers in turn bow down, in a sign of respect.
The dancers toast to the dead wishing it a resurrection to a new being, pure and good.
The ballet itself is a taken-on Britain's society in the 21st century and the desperation endured by some members of society too often ignored. It may depict an unflattering view of the Royal family but it also underlines the deep divide between different classes in British society.
In the chapters, the main narrator undergoes a psychoanalysis and indirectly introduces the ballet.
The ballet is itself an apogee of the art but a reflection on British society, selfish and desperate that is driving many to become outcasts without safety net and completely ignored by the political mainstream that is shaping society.
A ballet, a book, a film, a game and a soundtrack album.
Cast
Bruno Aversa
Karnal Singh
Janet Priest
Janet Priest
John Waterhouse
Jane D'Arbanville
Stephen Quildan
Old Nick
Juan Rodrigues
Izzy Passey
Sophie Fournier
Ruth Essel
Jack Parry
Margaret McCray
https://t.co/9983D0EXk7