EVERY SINGLE FILM in the @Criterion Collection, four movies at a time. Check out ALWAYS SEE EVERYTHING, where Sean and I balance analysis and anarchy as we review, riff on, and rank four Criterion Collection movies each week.
https://t.co/ZV3KmVLpwW
[Camp] is a way of not taking the arts too seriously. It's one of the things I've tried to write about, and that readers get most indignant about, because they feel you're not being a cultivated, serious person if you talk about your pleasure at silliness, at lushness. (1989)
Check out my review of yesterday @CriticsFf where I talk Time and Water, When a Witness Recants, and The Last One For the Road.
https://t.co/UdVbtmMpQa
Director John Early, who also plays Maddie in lightly subversive gender-blind casting, demonstrates real affection for his characters alongside their comedic potential. I will be thinking about a sad candlelight vigil when next I mourn, or a silly sink fight when next I laugh."
"Movies About How Cool Movies Are", in which I talk about the highs and lows of @CriticsFf!
Read my review and go to the @musicboxtheatre to watch along!
https://t.co/pXsSYyAsTM
THE CHICAGO CRITICS FILM FESTIVAL returns to the Music Box this weekend!
**May 1st-7th**
Visit our website for the Full Lineup.
Some screenings are already sold out, so don't delay, Get Tickets Now: https://t.co/WzL9pYrxDN