Pas un seul noir, pas un seul arabe, même pas un métisse asiatique, sur-représentation féminine…
Les événements conviviaux de gauche c'est mon paradis Blanc en fait. Je suis jaloux
Henry Cavill is one of Hollywood’s most dedicated Warhammer 40,000 fans, who also owns a full Adeptus Custodes army.
He was filming the Highlander reboot in Poland. While on set near the city’s cathedral, the owner of local games store ROLEY surprised him with a box set of Custodes miniatures, his favorite faction.
Photos captured Cavill’s excitement like a kid unwrapping a gift, and the pics quickly went viral.
In return, he signed an Ultramarines helmet for the store, now one of its most prized displays.
Y'a des peuples sous les bombes mais c'est inhumain de rester quelques semaines nourri logé sur un bateau de croisière pour pas refiler un virus de merde a l’entièreté de la population mondiale
Sure, your eyes aren’t tricking you. That clip looks better than the new trailer, and the reason has nothing to do with talent. The VFX supervisor on Amazing Spider-Man 2 in 2014? Jerome Chen. The VFX supervisor on Brand New Day? Also Jerome Chen. Same person. Completely different system around him.
In 2014, Chen had 50 effects artists at Sony Imageworks, the largest VFX crew the studio had ever put on a single project. They handled about 1,000 of the film’s 1,600 VFX shots on a $255 million budget. The crew shot on real film (not digital), on location in actual New York City, scanned Times Square with 36,000 photographs of over 100 billboards, and built physical lighting rigs on set so the CGI would match the real world.
Now look at how Marvel makes Spider-Man movies. No Way Home had 2,500 VFX shots spread across 12 studios and about 3,000 artists. The budget was $200 million, $55 million less than TASM2 despite having 56% more VFX shots. Digital Domain, one of the VFX vendors, was delivering final shots days before the December 17, 2021, release. They kept reworking shots into mid-January, after the movie was already in theaters.
Zoom out, and the math gets worse. Marvel released 6 films between 2008 and 2012. From 2023 to 2025, they pushed out 7 films and 7 TV shows. The Hollywood union representing VFX workers reported that Marvel pays artists about 20% below industry average and staffs one person where other studios hire three. Artists described 64-hour weeks and breakdowns on the job. Then, in February 2025, Technicolor, the parent company of MPC (three-time Oscar winner for Life of Pi, The Jungle Book, and 1917), collapsed almost overnight. 4,500 jobs gone globally. The studio had been actively working on Disney and Paramount films when the lights went out.
Brand New Day has four months before release, and trailers routinely show unfinished shots. But the gap between a 2014 Spider-Man and a 2026 Spider-Man has nothing to do with technology going backwards. The industry has been asked to do three times the work for less money per shot while its biggest studios are going under.
Instant promo :
J’ai réalisé une vidéo analyse sur l’écriture de personnages et la mise en scène de Larry Clark à travers Kids, Bully et Ken Park.
(Sujet sensible destiné à un public averti)
N’hésitez pas à y faire un tour 🛹
https://t.co/CJKxMBZPjm
Ever heard of a Mountain Boomer?
Cryptids from the mountainous regions of West Texas that are described as being 6 foot tall bipedal “lizards” that feast on roadkill!