@HarveyFierstein gave my two cents for me last night at @FunnyGirlBwy: Asked before the show what revisions were made— more simply:“Did you make a hit?” — he shrugged. “Ah,” he gestured, “that’s none of your business.” Read more: https://t.co/Qu4mJrWjJJ
“If you take this play to many places in the United States, it would be shocking,” Scott Ellis told me last night about @2STNYC’s “Take Me Out.” “This play is, still, a radical act.” Congrats to @jessetyler & cast on a triumph. #broadway https://t.co/MGSDaEXpOJ
After an eventful opening night on #broadway, in which @NYCMayor revealed to me his fandom for Sex and the City and Matthew Broderick nearly broke the set, @SJP reveals @plazasuitebway may be filmed for audiences. https://t.co/g45lFj1Yp3
Appreciate the feature in the Briefing this morning. More important, don’t miss their support of @AyannaPrescod and what she’s gone through after her thoughtful review of MJ.
@MrDavidGordon Where you're wrong here is that the cast's answers weren't half-hearted, and the talent wasn't exhausted. The carpet was before the show, and everyone gave thoughtful answers to some pretty base level questions about what they hope for their audiences.
After two years of calls for greater awareness on Broadway, how can its producers, theater owners, and publicity agencies meaningfully interrogate themselves while restricting the press from criticizing its productions?
The story was cut. Here are my full thoughts: Last night raises serious questions about the relationship between Broadway and the press who cover it, as well as producers’ willingness to foster a musical of this subject while ejecting meaningful criticism.
“Who would run into the hurricane? Those who need it most. And across the scope of American life, it’s always been African Americans who have stood up to do it," @rsantiagohudson told me about Black artists this season on Broadway & this incredible show.
https://t.co/m1zvwikCAu
After @CompanyBway opened last night, I talked with @PattiLuPone about the complicated emotions of the evening, about Steve and how we honor him. Here's what she described. #Broadway#Company#Sondheim https://t.co/KFoqCzhAXU
“Your vagina doesn’t die on your 50th birthday.” Say what you will about #AndJustLikeThat , but the show’s new writing team, including @msfruch, @keligoff and Sam Irby, are a hilarious & necessary force in the room. Read what I wrote in @Variety: https://t.co/AhLIcXUVzl
"Clyde's" might be one of the best plays I've seen on #Broadway in a long time. Not just cause @UzoAduba is the GOAT, but because @Lynnbrooklyn does it again—pairing perfect character work, surrealist structure & striking commentary. Here's what I wrote. https://t.co/xw5HfydC6U
I love this film so much. Here's proof you can remake a classic brilliantly without interjecting pointless modernist revisions, but making smart, meaningful changes that evolve characters & story we love. Here's what I wrote last night. #WestSideStory https://t.co/jZwDOQ8Tss
The #Broadway community honored #Sondheim today with a performance of “Sunday” in Times Square. @joshgroban and @SaraBareilles lent me some words about Sondheim and his legacy. https://t.co/CEyQYZ9X62
@BilldeBlasio didn’t show up to give the city’s own proclamation to @ChicagoMusical in celebration of its 25th, but @ericadamsfornyc rushed the stage after the Act One curtain & talked about being a police officer who protected Times Square tourists? #chicago25#Broadway