A great performance from the Ardingly drama department! Well done to all of the fantastic actors and actresses who made the performance happen!
#ardinglydrama#ardinglyshakespeare
Hanna challenges the common conception of Lady Macbeth’s power and being a feminist icon. This character’s call to be “unsexed” points at “penis envy” and her nonexistence beyond Macbeth (she doesn’t even have a name) #ardinglyshakespeare
Looking forward to hearing Carson White’s speech on: “Antonio and Shylock: tainted wethers of the flock”. This is the last speech of Paper panel session 3, thank you to all the speakers!
#ardinglyshakespeare
In room B2 Louise Taylor weighs in on the #metoo movement through such plays as The Tempest, King Leer. She twists the sexist ideas of “female madness” into their true form- lack of scientific understanding, consent and anatomy #ardinglyshakespeare
Rosalind takes a male role of almost directing the action in the play in act 5 an unexpected role, as she transcends the expected role she is supposed to fit as a woman. #ardinglyshakespeare
Othello has lost his soul to shame and Desdemona a poster girl for the “gone too soon girl” trope a thrilling claim made in Kaylene’s paper #ardinglyshakespeare
Othello feels as though Desdemona is the devil despite Iago being the real devil, as he obsesses over her supposed infidelity Kaylene Leona claims in B4 #ardinglyshakespeare