@nazanin_ashrafi You could say that. A specialist in what you can do best, whether that’s working on a specific part of the project or orchestrating it
I've been freelancing for 4 years, and here's one thing I've learned.
What a client will pay depends on how many substitutes exist. The more people who can do what you do, the less you can charge
The goal is to build a way of solving problems that feels uniquely yours
As a designer, I get so caught up in client projects and AI workflows that I forget the joy of learning a new tool from scratch.
So I've unlocked a new personal objective: Spline
Time to expand beyond static brand work into motion and 3D, on a mission to deliver richer visuals
@thefinnmckenty@D_the_Designer Couldn’t agree more as a student of Gert Dumbar, who designed the Dutch Railways, a brand identity as important and relevant today
Last night I was arguing with a friend about why design from the 60s–90s often feels better
Maybe because it sprung from a culture where people observed more than they consumed? Studied instead of scrolled
Pre-dopamine-economy with attention spans, so the work could demand more