Ashmolean Press Office

The Press Office @AshmoleanMuseum, the world's oldest public Museum. Media enquiries WELCOME: [email protected]

[Ashmolean Press Office @AshmoleanPress]

In cinemas next week: @artonscreen new film of @AshmoleanMuseum exhibition #PissarroOxford. Check out @filmink profile of the Director @atomictv https://t.co/FYrTsuZW6z

[Ashmolean Press Office @AshmoleanPress]

.@worldofFAD THE TOP 5 MUSEUM EXHIBITIONS TO SEE IN JUNE includes #PissarroOxford @AshmoleanMuseum https://t.co/88RzikwpbG

[Ashmolean Press Office @AshmoleanPress]

In cinemas today #PissarroOxford from @AshmoleanMuseum & the outstanding team @artonscreen directed by @atomictv https://t.co/rFFUu89OiF

[Ashmolean Press Office @AshmoleanPress]

Exhibition on Screen Director Interview: David Bickerstaff Talks About His Latest Documentary: Pissarro: Father of Impressionism @AshmoleanMuseum - https://t.co/dmXsZjitL4 via @thecurbau

[Exhibition on Screen @artonscreen]

A brilliant interview with director of Pissarro: Father of Impressionism David Bickerstaff @atomictv

Watch film here: https://t.co/3UNjVmWEcK

In partnership with @AshmoleanMuseum @kunstmuseumbs

#EOSpissarro #impressionism #Pissarro #exhibitiononscreen

[Ashmolean Press Office @AshmoleanPress]

Pissarro: Father of Impressionism – a fitting tribute to a quiet trailblazer @AshmoleanMuseum https://t.co/er5eGKtIU8 via @TheWeekUK

[Ashmolean Press Office @AshmoleanPress]

.@londranewsblog https://t.co/PwvbOWxbcs

[Ashmolean Press Office @AshmoleanPress]

“This is the most engaging exhibition I’ve ever seen- and I’ve seen plenty all over the world. This is the first one which has brought me to tears.” says Lélia Pissarro, great-granddaughter of Camille

[Ashmolean Press Office @AshmoleanPress]

Thanks @JewishChron for lovely story on Pissarro @AshmoleanMuseum https://t.co/lS6w89ZQux

[Guardian culture @guardianculture]

Pissarro: Father of Impressionism review – the ‘old man’ who was always pushing art forward https://t.co/TFuXhUEIUF

[Ashmolean Museum @AshmoleanMuseum]

★ ★ ★ ★ "Illuminating" – The Times

Pissarro: Father of Impressionism will span the life of Camille Pissarro, one of the most celebrated artists of 19th-century France and a central figure in Impressionism.

Opens 18 Feb. Free for Members.
Book at: https://t.co/yoLyr7ENGj

[Ashmolean Press Office @AshmoleanPress]

Don't miss @BBCFrontRow review of @AshmoleanMuseum #Pissarro exhibition with @RachelCJ2 https://t.co/O4Lf88ssIL

[Times Arts @TimesArts]

What Father of Impressionism at @AshmoleanMuseum lacks in cliché — in flushed sunsets, bright poppy fields or shimmering lily pads — it compensates for with the subtleties of closer intimacy, writes @rachelcj2 in @timesarts ★★★★☆ https://t.co/uDzGf7RVMk

[Ashmolean Press Office @AshmoleanPress]

Thanks to @Telegraph for reviewing @AshmoleanMuseum Pissarro exhibition, opening 18 Feb https://t.co/5s7WeKg4iz

[Ashmolean Press Office @AshmoleanPress]

.@FT @FinancialTimes @ftweekend previews @AshmoleanMuseum Pissarro exhibition, opening next week https://t.co/l1fweraLCl

[Ashmolean Press Office @AshmoleanPress]

OPEN TODAY @AshmoleanMuseum: new exhibition of work by @a_alikazim celebrated in gorgeous feature by @VOGUEIndia https://t.co/ewWdRomeuD

[St Cross College @StCrossCollege]

The exhibition featuring the work of Ali Kazim, one of Pakistan's leading artists, can be seen from 7 February to 26 June @AshmoleanMuseum

Read more: https://t.co/FRiqt3EjG4

Photo Credits: Detail of The Conference of Birds, 2019 by Ali Kazim, courtesy Jhaveri Contemporary

[Ashmolean Museum @AshmoleanMuseum]

Today is #HolocaustMemorialDay, when we remember the victims and survivors of the Holocaust and the genocides which followed.

Hear the story of Paul Jacobsthal, a Jewish scholar of archaeology, and how he escaped the Nazis with his Tang Dynasty camel https://t.co/tR1JpoL1MW

[Ashmolean Museum @AshmoleanMuseum]

Today we launch Fingerprints, a brand new podcast in which we look at objects from across the globe and the hands they’ve passed through to reach us, from makers, looters, soldiers, curators, and many more, revealing the ways conflict and colonialism have shaped the Museum.

[Ashmolean Museum @AshmoleanMuseum]

Every object in the Ashmolean has passed from hand to hand, with invisible fingerprints left behind by makers, looters, soldiers, curators, and more, revealing ways in which conflict and colonialism have shaped the Museum. Fingerprints starts 21 Jan 2022 🎧https://t.co/lFmoLfZ7rQ