@BryHong@8888SEB@paulasmithphoto@mrbwa1 They’ll wipe it down for hazardous materials. I’ve travelled with super 8 and 16mm spools and no problems with TSA with those.
@paulasmithphoto@8888SEB@mrbwa1 Heathrow would be the biggest concern, they’re notorious for scanning film. Most domestic flights in the US are pretty aware about film and TSA is generally accommodating for hand check.
Our friend @danrubin just travelled to the UK with 100’ of our 500T. Thoughts Dan?
We are growing! We have challenges we’re working through but we’re incredibly appreciative of the support and explosive growth we’re experiencing! Check out our latest blog post giving an update on what is next for AFC!
https://t.co/KvrShgY913
We currently have Rezivot’s Monorail
Leader Trimmer in stock. One big questions we get with it is “Will it do Barnack cuts?”
Yes. Yes it does.
https://t.co/cpfD7JkZTm
Been shooting some of the new @atlantafilmco KOJI film in the XPan - saving a few rolls for a specific project, but will have example scans to share soon 🎞️
Incredibly proud to be part of this project. We worked with Oscar Nominated Director Todd Field for this @wmag project. We provided @AtlantaFilmCo 500T and XX film, processing, and delivered scans. For color, the production team used the ECN-2 with @Kodak Film Lab Atlanta. 🤩
We are excited to announce our first ever limited-edition ECN-2 color negative film: KOJI 125! Story and deets are in the link below!
https://t.co/uK9RaepmV0
A friendly reminder to print your photos. You can pixel-peep (or in this case, grain-peep) on a screen all day, but putting on paper is the ultimate test.
These two are bangers!
#believeinfilm
1) @AtlantaFilmCo’s #Euphoric100
2) @FujifilmUS#AcrosII
The images featured in this video are from the archive and captured during the project, on emulsions produced by these lovely makers of film:
Agfa, @AtlantaFilmCo, @CineStillFilm, @FUJIFILM_UK, @Kodak, @KosmoFoto 🎞
None of this would be possible without them ❤️