Atwood Magazine

for the love of music

[Atwood Magazine @AtwoodMagazine]

“It Feels Like My Comeback to Myself”: Medium Build Makes Himself at Home on ‘King of Having Fun,’ a Celebration of Life on His Own Terms

🎤 @Medium_Build
✍️ @MitchMosk

Read our September cover story:

👑 https://t.co/NkZ8KNReJu 👑

[Atwood Magazine @AtwoodMagazine]

Following a breakup, reunion, and major lineup change, Anberlin drummer Nathan Young reflects on the making of their dynamic ninth album ‘CURRENCY,’ the creative trust that has sustained the band and the shared love of music that keeps them moving forward.
https://t.co/RHxRayZgdY

[Atwood Magazine @AtwoodMagazine]

Anberlin Are Still Writing Their Own Story: On Change, Creative Trust, and ‘CURRENCY’

🎤 @anberlin
✍️ Lily O'Delia

Read our conversation:

💵 https://t.co/QzRSkwvyKJ 💵

[Atwood Magazine @AtwoodMagazine]

Their story offers a different explanation for band longevity: Sometimes the secret isn't more brilliance, but having a little lukewarm water to balance the fire and ice.
https://t.co/JGiLpM5lEs

[Atwood Magazine @AtwoodMagazine]

Why Is It So Hard for Great Musicians to Stay Together? Oysterhead, Supergroups, and the Perils of Creative Genius

🎤 @realoysterhead
✍️ Charlie Recksieck

Read more:
https://t.co/JGiLpM4NOU

[Atwood Magazine @AtwoodMagazine]

Oysterhead's unlikely chemistry produced a memorable album and the promise of more, only for world events to derail two planned tours.
https://t.co/JGiLpM4NOU

[Atwood Magazine @AtwoodMagazine]

The Listener Knows Something the Singer Doesn’t: The Making of Darren Hayman’s ‘I’m Your Team’

@DarrenHayman reflects on the creation of ‘I’m Your Team,’ a fragile and haunted solo release composed on obsolete technology.

Read his essay:
https://t.co/OYWhKqTqhW

[Atwood Magazine @AtwoodMagazine]

The Rage That Raised Us: Atreyu’s ‘A Death-Grip on Yesterday’ at 20

20 years after @atreyuofficial helped carry metalcore into the mainstream, it still offers a refuge for outsiders searching for a place to belong.

✍️ Oliver Crook

Read our album review:
https://t.co/JFfYTkm7xv

[Atwood Magazine @AtwoodMagazine]

Speaking with Atwood Magazine, the band reveal the grotesque mythology behind their music and celebrate the defiantly human joy of laughing at the madness rather than surrendering to it.
https://t.co/pafXlbDtU5

[Atwood Magazine @AtwoodMagazine]

“The Audio Equivalent of a Bosch Painting”: Erotic Secrets of Pompeii Dance Through Modern Madness on “Crowstepper,” a Delirious Art-Rock Séance

🎤 @ESOPompeii
✍️ @MitchMosk

Read more:

🐦‍⬛ https://t.co/E2iR15Ra1J 🐦‍⬛

[Atwood Magazine @AtwoodMagazine]

Bristol art-rock provocateurs Erotic Secrets of Pompeii summon a crow-footed trickster on “Crowstepper,” a deliriously danceable fever dream that skewers the spiritual grifts and digital rot of modern life.
https://t.co/pafXlbE1JD

[Atwood Magazine @AtwoodMagazine]

On her sophomore album ‘metamorfosis,’ Mexican electronic artist Nnux chronicles the trials of a shape-shifting deity through layered vocals and imaginative soundscapes – a metaphor for her own evolution & a powerful exploration of femininity’s many forms.
https://t.co/mU2SpDMgHZ

[Atwood Magazine @AtwoodMagazine]

“Shapeshifting Through the Voice”: Witness Nnux’s ‘Metamorfosis’ into a Master Electronic Composer

🎤 @_nnux
✍️ @joshdacritic

♨️ https://t.co/zZPwSeWfPn ♨️

[Atwood Magazine @AtwoodMagazine]

Cynthia Tauro discusses the importance of trusting your intuition, the freedom of creating beyond genre boundaries, and the chemistry behind her band's debut Act I – a soulful introduction whose effortless melodies keep revealing deeper shades of emotion.
https://t.co/OjWJwQryiL

[Atwood Magazine @AtwoodMagazine]

“Why Stay in a Narrow Lane?”: Toronto’s TAURO Revel in the Sweet Sting of “Crüel to Be Distant,” a Lush, Soulful Indie Pop Reverie

✍️ @MitchMosk

Read more:

✨ https://t.co/vTeV7Mo6Wi ✨

[Atwood Magazine @AtwoodMagazine]

Toronto indie pop duo TAURO’s “Crüel to Be Distant” glows with the sweetness of a summer evening, carrying the sting of realizing someone you love is pulling away.
https://t.co/OjWJwQryiL

[Atwood Magazine @AtwoodMagazine]

“Come On, Be My Sanctuary”: Runnan Finds Comfort in Company on “LONELY LONELY”

Runnan’s “LONELY LONELY” and self-titled debut EP explore the push & pull between finding comfort in solitude and longing to have someone by your side.

✍️ Joe Beer

Read more:
https://t.co/nL8U3hI2fv

[Atwood Magazine @AtwoodMagazine]

A decade after ‘No Burden,’ Lucy Dacus revisits an early composition about the painful realization that love alone cannot sustain a relationship, delivering an intimate meditation on heartache, acceptance, and the courage to walk away.
https://t.co/pc7NfTY6FN

[Atwood Magazine @AtwoodMagazine]

:: TODAY'S SONG :: Lucy Dacus Finds the Courage to Walk Away on “No Thank You, I Love You, Goodbye”

🎤 @LucyDacus
✍️ Lily O'Delia

Read more:
https://t.co/pc7NfTYEvl

[Atwood Magazine @AtwoodMagazine]

Atwood is excited to share our 171st Editor's Picks, written and curated by Editor-in-Chief @MitchMosk!

This week features @yonnyftla, FRIEDA STAR, @reboundernyc, Jordan Joy, Coco Elise, and @wave_to_earth!

🔥 https://t.co/eOYP15L0Bw 🔥

[Kevin Krein @KevEFly]

Thanks 2 @AtwoodMagazine for granting me these continued opportunities. Thanks @SpanishLuvSongs for making this record at this time. I wrote 9k words about the death of the American Dream and Future Nausea.
https://t.co/XU93UpYzTa