Part 4-5— Live Oak At some point, the painting stops asking questions
and starts holding them.
Green isn’t describing a tree anymore.
It’s holding memory, weather, and time in the same breath.
This isn’t the finish.
Green stops being a color and becomes a condition
Here I dive deeper into green--not just as a color but as a way of to keep the painting from collapsing into a single moment. Green slows things down, lets the memory stay layered and holds the tension without forcing resolution.
This painting uses a couple of photographs as source, but they come from my time spent with and climbing trees in St. Augustine.
I'm not trying to recreate a place
I'm trying to stay close to how those trees feel--their weight, their patience, the patterned shade they create.
You own 4 fancy sketchbooks.
But every idea ends up on junk mail or cardboard.
You built the perfect brush-cleaning station.
But your best brush is crusted in a coffee mug.
You bought 3 tape measures.
But still can't find one when you need it.
Most people using AI are doing it wrong.
They treat it like Google.
But the magic happens when you give it your full context.
Treat AI like a teammate — it remembers, analyzes, suggests.
Start now or fall behind fast.