Sturgill Simpson might be gearing up for his own tour as Johnny Blue Skies & the Dark Clouds this fall, but he joined the Black Keys Thursday night at Nashville’s the Pinnacle for a cover of the soul classic “I Heard It Through the Grapevine.”
Watch ↓ https://t.co/zbPTjWvX4l
Today marks a year since Dead and Company played our last of three shows in Golden Gate Park helping to celebrate 60 years of @GratefulDead . It would also become Bob Weir’s last appearance onstage. I wanted to take a moment to share with you just how incredible those concerts really were. Bobby’s insistence on standing on that stage in the midst of a complex health battle to perform nine hours of music over three nights was one of the greatest acts of heroism I will ever see in my lifetime. I watched him sidestep every traditional burden of entertainers - ego, superficial pride, vanity, to name a few - and sing his songs with pure heart and grit. He transcended his physical limitations by ignoring them. Bobby Weir, ever the contrarian, laid down his ultimate act of defiance; he was going to play these shows on his terms. He could have explained his situation in one online post, and the crowd would have lifted him like a giant wave up to glory. Fuck that. That wasn’t Bobby. Deal the cards. By the end of Sunday night, we’d created as many musical sparks as we ever had over a three night run. What he had to overcome in order to pull that off won’t ever be fully known to anyone. Some of the songs Bobby would play for the last time were shared with artists he loved and respected, @BillyStrings , #sturgillsimpson, #grahamelesh, @treyanastasio , and they’ve come to serve as a spiritual transfer. A blur between past, present and future. Like it’s always been. To use his own term, those three nights were the star in Bob Weir’s heavenly crown. The man you loved, whose music has given a more expansive inner life to us all, never backed down. In his final shows, after 60 years, he lived up to every measure of a person he’d ever stood for. It’s a master class of a life lesson, and I’ll take it with me forever.
1. I’m One of Those
2. Burn the Other End
3. Carry Us Home
4. Lay Me Down
5. Lucid Daydream
6. Mill Town Flood
7. Live to Tell
8. Bluewater Breakdown
9. Light the Way
10. I Like Train Songs
11. 10,000 Miles From a Friend
12. Still I Crash
13. I Wish I Wanted To
14. Remember to Cry
15. Wrestling an Angel
16. Debra’s Waltz
This album came at a time in my life when I had a lot to write about. I had just lost my mother last June and still felt the talons of grief piercing my back. Before she passed, she and I had planned on trying to use some of her poetry to make songs from, but that just hasn’t panned out yet. A lot of her poetry is very stream-of-conscious, and I just couldn’t figure out how to put it to a tune. Maybe someday I will. Another dream we had was having her make art for the next record cover. She was an amazing artist and was constantly working on many different things. She would call me all the time and tell me about how she was painting this or gluing this thing to that to make some UFO alien battle with cowboys and fairies. All her pieces had a story. The piece we ended up using for the cover was the one she was working on the night she died. I believe her intention was to show it to me when it was finished to see if I would use it for the cover. Although I don’t believe she had the chance to complete it, I am so happy we were able to fulfill that dream. I never got to say goodbye to her. That’s why I wanted to call the album “So Much For Goodbyes.” When I mentioned it to my manager, his interpretation of it was different from mine. I was sad that I didn’t get to say goodbye, but when I told him the name of the album, he heard it from a different perspective. It’s not goodbye. She’s not gone. She’s very much still with me. So much for goodbyes.
this is actually really good cuz if you swallow the apple seeds (which are filled with toxins ofc) you can smoke and that smoke will suffocate the bacteria
In my humble opinion, I think it’s Sturgill, Childers, and Billy Strings then there’s a bigggg gap between everyone else. Those 3 guys are just insanely good