I have witnessed this club go from doubters to believers, and from believers to champions. It took hard work and I always did everything I could to help the club get there. Nothing makes me prouder than that.
Us crumbling to yet another defeat this season was very painful and not what our fans deserve. I want to see Liverpool go back to being the heavy metal attacking team that opponents fear and back to being a team that wins trophies. That is the football I know how to play and that is the identity that needs to be recovered and kept for good. It cannot be negotiable and everyone that joins this club should adapt to it.
Winning some games here and there is not what Liverpool should be about. All teams win games.
Liverpool will always be a club that means a great deal to me and to my family. I want to see it succeed for long after I have moved on.
As I’ve always said, qualifying to next season’s Champions League is the bare minimum and I will do everything I can to make that happen.
Oh Allah, safeguard me from making decisions that I may later regret. Bless me with clarity of thought and direct me toward what is best for me. Grant me the strength to trust in Your plan. Fill my heart with tranquility and protect me from choices that will bring sorrow.
While Olamide’s influence on Nigerian street culture is undeniable, placing him “on the same level” as Davido and Wizkid oversimplifies how the industry actually measures stature. Both Wizkid and Davido operate on a global bandwidth that extends far beyond cultural impact; their international reach, streaming dominance, cross-continental collaborations, and global touring power are simply in a different stratosphere. Cultural resonance is powerful, yes, but global relevance, market penetration, and sustained worldwide influence are what define the apex tier in modern music ecosystems. By those metrics, Olamide isn’t underrated, he just occupies a different lane with a different ceiling.
And that’s not an insult; it’s reality. Olamide reigns as a king of the streets, an architect of indigenous rap, and a generational tastemaker with immense domestic sway. But the claim that he can “pull the same weight” as artists who consistently headline global festivals, chart internationally, and shape Afrobeat’s worldwide identity stretches beyond what evidence supports. Appreciating Olamide fully doesn’t require inflating him into a global titan, his legacy stands firm without rewriting the hierarchy that the industry itself has long acknowledged.
As a civil servant.
I stand In solidarity and I’ll Use my platform to Order the Immediate Release of this Individuals and respect their Services to their Motherland…
RELEASE THEM NOW !!!!!!!
This Has got to End….
Reminder that “Absolute Power Corrupts Absolutely”
Instead of going out protesting nd getting arrested by some of these popos who can’t even afford data, Let’s hit where it hurts. Boycott @QCellgambia & @AfricellGM for a month, switch to Comium and watch how fast changes comes. Power isn’t in the streets. It’s in your SIM card
Gambian journalists disgust me. wtf is so funny about someone running away from an illegal arrest? Laughing so uncontrollably that you forgot you’re at work
Sarr or whatever your name is, you are unprofessional and should be ashamed of yourself.
What really f***** me is they are using the newly innocent intakes against their own people. This just confirmed that the Security sector reform is just a formality.
#FreeTheYouths