All the TRADS criticising Ramayana movie, forget about the movie, can anyone of you write even a paragraph of what is written here by Rajiv Malhotra ??? Such an amazing study in contrast, about Greek epics and Hindu epics, just shows why west is like this and why we look so different to them, they might have banned Greek gods as pagan, but the hero is still the cunning clever man who will reach his home alone and call it a win and hence no one celebrates it as festival, while we want to be like Rama who has all the strength and still suffered but never wavered and reached home with all the others inlcuding the brother of his biggest enemy and we call it Deepavali
@GabbbarSingh Let us be honest all RW TRADS put together have lesser followers than Ratee
When 🐀ee couldn’t change anything
How do these people think they matter to audience ?
@sameermathad Off course, Disney coe got nothing to do with Disney movie winning an oscar, just like google ceo got nothing to do when they win nobel prize or Modi got nothing to do when India does Sindhoor
What a site to behold,
Remember this is in Kadapa, the place where YSR family ruled for generations and it took a CBN to build a beautiful road like this
Navin Chawla is officiating the wedding of Sanjay Gandhi and Menaka,
Navin Chawla was indicted in Emergency atrocities
The same Chawal (rice) who is also a Mother Theresa Fan and Convert 🍚 💼 and used to write eulogies on Vatican later become Chief Electin commissioner under Sonia
And then Pappu comes and tells us Vote Chori under GYANESH Kumar
Watched #Ramayana for the 2nd time and incidentally I am an atheist and so this analysis is from a film watcher and not as a ram bhakt
While other reviews grudgingly note its scale and then hedge with “but the soul is missing” or “music could be better ,” etc , what they are missing is that the soul is in the scale and the emotion is in the humongous ambition of all the wonderfully talented people behind the making of this film
@NiteshTiwari22 and @NamitMalhotra have achieved what no one in Indian cinema never even dreamt of.. They have taken the devotional Juice from a well known epic and placed it on a canvas that made me as a viewer feel , the greatest Hollywood films as stage plays.
The opening cosmic battle, Ravana’s ten heads materialising not as a gimmick but as a living expression of knowledge and internal conflicts, the forests that feel more creature like themselves than the creatures they host , and standing high above all the breath stopping climactic Jatayu sequence … these are not mere Vfx effects. They are actually galactic events of the future brightness of Indian cinematic cosmos
This is Namit Malhotra’s slap on the faces and a kick in the crotches of Bollywoodians to wake them up from their lazy slumberness to show them what all is possible it there’s a will
@TheNameisYash ‘s Ravana is not a performance of the year, but it is of many decades .. I say that because I simply can’t remember anything I ever saw with his kind of a electrifying effect ever since I started watching cinema
He does not play a villain. He plays a man who has earned his power through penance, intelligence, and a refusal to bow .. The backstory the trauma, the devotion to Shiva, the ambition that becomes a prison , brilliantly written by #SridharRaghavan has been enacted with a combination of both a crystal clear clarity along with a monstrous force of reaching far beyond an objective destination so colourfully displayed with magnetic precision when he intrinsically ponders with his ten heads before taking the decision of kidnapping Sita ..
Every review that calls him the show stealer is correct, but what they missed is the larger picture that his portrayal made Ravana look like the gravitational centre of Rama
In short there’s no Rama without Ravana
Ranbir Kapoor’s Ram is the necessary counterweight against the worldly evils which anyway was the whole point of his godly status
Critics who wanted constant emoting from Ranbir saying he’s got same expression throughout are flmissing the point that Ram is defined by what he withholds and not by what he expresses
His quiet acceptance of the exile, his controlled violence in the forest sequences, his stillness that so wonderfully contained an absolute certainty is the hardest thing to play for an actor because when he finally acts , it’s not his arrows alone which find their mark , but more than that its his principles which pierce
What I loved about @HansZimmer and @arrahman is that they did not compete with the imagery but they rather flowed with it. The score does not try to reinvent devotion. It just amplifies the existing mass of the specific emotion and more importantly pin points the choices of its characters .. Songs that feel “functional” to some critics are doing the correct job because they do not interrupt the momentum of a three hour epic that is slowly building towards a confrontation
The Tandav energy and the aerial combat cues strike hard with a never before seen or experienced force.
In a film this large, restraint in the music is not a lay back , but It is a volatile high energy concoction of discipline and strategy
In my not so humble opinion what the negative reviews state as problems are actually the film’s real strengths.
The so called length is very necessary because one cannot establish Ravana’s scale and then compress Ram’s exile into just a highlight reel without losing the predicament of an impending inevitability .
I love Tiwari because he refuses to cheapen the moral stakes and turn the story into a masala action drama and the result of that conviction of his is a film that can be watched by families , youngsters , Gen Z etc etc and still hit the front benchers of the small and tiny towns .
This is the first ever Indian film that can stand above each and every large scale international production with its head held high and with an immense pride .
That’s because it does not borrow the language of the Lord of the Rings or Avatar . Instead it takes inspirations to dig into its own rich Indian backyard with the greatest ever stories which have been waiting to be excavated
Reviews might have given 2,3,5 whatever starts but I feel It’s an insult to india and it’s cinema to review this film
The negative reviewers are looking at a mountain and complaining that the path is steep and uneven but that’s because they are too small in comparison to the garangutan architects who built this mountainous Taj Mahal of cinema
Ramayana: Part 1 is the opening statement of a new standard for Indian cinema and whatever film will be made after November 5 th will now be measured against it , and the only thing which will destroy Ramayana part 1 will be Ramayana part 2 🙏🙏🙏
This is just part 1
The movie starts with Ravana becoming Lord of 3 worlds and ends with Ravana killing Jatayu and taking seetha and Rama left alone in the forest
So it is off course more Ravana than Rama
Wait for part 2 when Hanuman will burn Lanka and Rama will destroy Ravana
That is how Ramayana ended
You dunderhead don’t even have patience to watch the complete story
Didn’t Bahubali 1 end with Katappa killing Bahubali and his son still stranded and Devasena still imprisoned
Many people liked Gabbar singh and his dialogues after Sholay
Same with Rehman Dakait in Dhurandhar
That doesn’t mean all kids want to be a dacoit or a terrorist
We hace to give it to Yash has dominated the character like heath ledger
That is what will make his destruction in part 2 so exhilarating