Hello #NFTCommunity -This is me-it's nice to meet you. Coming this Spring, a collection that will give 50% back to the community EACH image was created in. From Thailand to Congo. Please introduce yourself, I want to meet you and hear about the work YOU'RE passionate about!
@Lowes I just experienced the poorest Ai phone integration on the Earth trying to call my local Lowes.
I’ve seen it done so much better.
Please, stop. Reconsider, retool -redeploy when it works. I’ll never get back the 5 minutes that should have taken 1.
@maxwmcnown 's official music video for "Forever Ain't Long Enough."
https://t.co/A83sB2hjni
(Pro Tip: keep tissues handy).
Honored to direct this for Max and @fugitiverec
Hey @YouTube
I appreciate that YouTube now supports cinematic and anamorphic formats (such as 2.35:1 and 2.39:1), which are becoming increasingly popular with creators thanks to companies like @AtlasLensCo / @BlazarLens / @moment bringing anamorphic to the masses. However, the current limitation on adding end screens to videos with these aspect ratios is a MAJOR drawback.
End screens are a KEY engagement tool, but because they are locked to a 16:9 grid, they either appear misaligned with the active picture area or are disabled altogether. This makes it difficult for filmmakers and creators using anamorphic to take full advantage of YouTube’s platform.
Creators would love to see YouTube update end screen support so it adapts to the actual video aspect ratio rather than assuming 16:9. This would empower filmmakers to maintain their desired look while still leveraging engagement tools that are critical for growing on the platform. It's 2025, let's make it happen!
Thanks for considering this — it would make a big difference for creators who are pushing beyond 16:9.
Thank you!
@DrJackKruse ironic Superman gains his power from the sun, and we’re told it’s harmful. Either we must cover up ourselves, or the sun. Ridiculous.
Thx for being a voice.
Game-changer incoming 🚨Introducing the WORLD'S FIRST telephoto zoom lens with a maximum focal length of 150mm and a constant F2 aperture. Sony's NEW 50-150mm F2 G Master lens is designed to deliver the highest quality imagery for professionals. With crisp details and buttery bokeh this is the perfect lens for top-tier wedding, portrait, indoor sports, photo, and video professionals. No more rushing to swap prime lenses during your shoot — now you can carry one advanced, lightweight lens that does it all.
Tap to learn more about the NEW, revolutionary 50-150mm F2 G Master and stay tuned for preorders launching tomorrow 👀 https://t.co/RoRXJlnY2u #SonyAlpha
My new album ‘Night Diving’ is OUT NOW! Stream at the link in my bio or check out the official music video for the title track below! Excited to hear what ya’ll think
https://t.co/rJS4hXsPTU
So excited to be an Amazon Music Artist to Watch for 2025! Listen to "Better Me For You (Brown Eyes)" on bonfire, only on @amazonmusic [https://t.co/b9QeYLxO5v]