@RevGirlKazoo @CRCNA@ryanstruyk Minority A is much harsher. Majority says “likely begin the process of disaffiliation” there’s some wiggle room in “likely”. 🤷🏻♀️ Still prefer Minority B of course.
Solum Journal Volume V is now available, centering on the theme of legacy: what comes before us and what we leave behind. Join us in celebrating the work of Jonathan Chan, Brad Davis, D. S. Martin, Emily Wall, and Megan Huwa, and more. Purchase here: https://t.co/NOFf63Q39n
@RevGirlKazoo Not exactly the same even though I was only 45 minutes from campus, once I didn’t HAVE to go in it was really hard to find the motivation to. We sometimes held “shut up and write” study sessions by zoom. We’d log in say hi and set goals then have a 1-2 hour writing session.
Honored to have two poems in the spring issue of Cable Street. Thanks to @DanaDelibovi and all the editors for assembling a great issue.
When all creation’s worked its way back and darkness lies again on the surface of the deep, what will be good?
https://t.co/ZWSLmBjFp9
@RevGirlKazoo I feel like this needs to live in an echo chamber in my heart that I can come to from time to time when “despair for the world grows in me”
I wrote this poem a year ago. There was some reason I had to frantically clean out my car after sunset in December. Sometimes the most mundane things echo with the eternal. Thanks @EkstasisMag for publishing! https://t.co/8yFMcD1UoV
@mair__wright Because the Renaissance privileged classical understandings of the arts: Aristotelian definitions ranked tragedy above comedy as a higher theatrical form. And Christian drama faced a lot of censorship because of of its connections to Catholicism so classical forms were safer.