Bill Marx

Editor of the web zine The Arts Fuse, which is dedicated to criticism, commentary, and conversation about the arts and culture in New England.

[Bill Marx @BillMarx]

David Daniel on "The Absinthe Forger" (@melvillehouse) -- For the absinthe-curious, wondering about those who spend their lives fanning the Green Fairy’s original “spirit,” Evan Rail's enjoyable book will provide a mildly hallucinogenic sip. https://t.co/yc0kMpV5u3

[Bill Marx @BillMarx]

This stage adaptation of Mary Shelley’s classic horror novel earns its keep, writes David Greenham. The production at the @Merrimack_Rep is provocative, well acted, and completely engaging. https://t.co/5sIrLn3cUs

[Bill Marx @BillMarx]

@pkeough1 writes that, in director Steve McQueen's "Blitz", chaos can be a scary but exciting adventure, as tragedy and trauma mingle with the magic of a fairy tale. https://t.co/QmVMm5DI9l

[Bill Marx @BillMarx]

@theartsfuse's expert critics supply a select guide to film, visual art, theater, author readings, and music. More offerings will be added as they come in. https://t.co/4vtTKuizGY

[Bill Marx @BillMarx]

Debra Cash writes that choreographer Heather Stewart’s use of stage space in little house dance's "Noisefloor", while not “immersive” by the standard art world definition, is inventive and meaningful. With Palaver Strings. https://t.co/26fHdRFvun

[Bill Marx @BillMarx]

Christopher Caggiano writes that director Jamie Lloyd’s loud and brash Broadway revival of the #AndrewLloydWebber musical "Sunset Boulevard" is all sound and fury, signifying nothing. https://t.co/0kwG45Jbme

[Bill Marx @BillMarx]

"The Old Country" (@ECMRecords) is a wonderful addition to the #KeithJarrett discography, writes Steve Feeney. There are no stale leftovers here — this album adds a whole new course to the pianist’s extraordinary banquet. https://t.co/vIB0AZiHxN

[Bill Marx @BillMarx]

Trevor Fairbrother on "Manet: A Model Family". It is a great gift that @gardnermuseum has put together such a strong and lively exhibition, presented exclusively in Boston, devoted to Manet. https://t.co/FKbogu8pcK

[Bill Marx @BillMarx]

"The Old Country" (@ECMRecords) is a wonderful addition to the discography, writes Steve Feeney. There are no stale leftovers here — this album adds a whole new course to the pianist’s extraordinary banquet. https://t.co/eEVs4Tq1vF

[Bill Marx @BillMarx]

@AaronKeebaugh on @celebrityseries' presentation of a concert featuring the @JerQuartet -- it was a performance marked by considerable poise, polish, and personality. https://t.co/1aReSKLNun

[Bill Marx @BillMarx]

@glennrifkin talks to @hannekecassel, an award-winning Scottish and Cape Breton-style fiddler and composer, a featured local solo artist and ensemble player for more than two decades. She will soon begin a brief (three stop) tour around the Boston area. https://t.co/1rD5L0gepI

[Bill Marx @BillMarx]

This week’s poem: Ukrainian poet Serhiy Zhadan’s “What was supposed to happen”

https://t.co/lKEv0mRs85

[Bill Marx @BillMarx]

For @pkeough1, memory – elusive and essential, tormenting and inescapable – serves as a theme for several of the documentaries in this year’s @bostonjfilm
Festival. https://t.co/zA68xlhGYs

[Bill Marx @BillMarx]

Just weeks apart, writes @JasonMRubin, two different groups -- The David Cross Band and Beat -- have made their way to Boston. Without #RobertFripp but with his blessing, their shows focused on a specific era of #kingcrimson’s existence. https://t.co/WAUoH0bwNT

[Bill Marx @BillMarx]

Paul Robicheau writes that Saturday’s finale of a two-night @roadrunnerbos stand, @DresdenDolls' first Boston shows since 2017, raged as a celebration of camaraderie and catharsis. https://t.co/aNy8sVNogV

[Bill Marx @BillMarx]

Neil Giordano offers his thoughts on this year's The GlobeDocs festival. The event celebrated its 10th anniversary, screening a wide-ranging sample of the year’s most anticipated documentaries. https://t.co/l116ctK7P8

[Bill Marx @BillMarx]

For Helen Miller, Beaux Mendes’ work piques the same interest in us as our information-hunger. But, set loose from any hope of a grounded truth, it leads to endless searching. At NYC's Miguel Abreu Gallery through November 9. https://t.co/NY66RuGL6l

[Bill Marx @BillMarx]

@jonblumhofer writes that the performances, conducted by Klaus Mäkelä, on this @deccaclassics
disc exhibit no conception of #DmitriShostakovich’s style – where is this music’s irony and sarcasm, let alone pathos? https://t.co/X508jmKa6q

[Bill Marx @BillMarx]

Daniel Lazare argues that, in tracing the tortuous path that established historians took in trying to get to the bottom of WWI, Perry Anderson doesn’t acknowledge leftwing observers who knew perfectly well what was going on at the time. @VersoBooks https://t.co/arp189ZsCH

[Bill Marx @BillMarx]

Trevor Fairbrother writes that the @mfaboston's show "Georgia O’Keeffe and Henry Moore" builds a case for two artists that many are inclined to think of as “unlikely bedfellows.” Brava! https://t.co/kpvM5wtBHx