Sean Murray is officially Bizarro Todd Howard, I really dont think anyone can find 2 more completely different ways of selling you the same game for 10 years. Bravo, Sean.
>scrapped physical disks
>still no games
>Sony's Direct was ALL ASS
>PS5 price increases
>Sony is now THREATENING THEIR OWN CUSTOMERS
>drops KOJIMA OF ALL PEOPLE
>their only game (Wolverine) looks like complete slop
SONY CANNOT STOP TAKING Ls
The people butthurt about the first picture…
…are the same people who were cheering the second picture. 🤦♂️
It’s incredible seeing such a perfect illustration of complete and utter hypocrisy. 🤷♂️
For those who are 26 years old or younger, this clip is NOT Ai.
It’s when Islamists hijacked passenger aircraft, killed crew members and crashed the planes into the twin towers.
You may be supporting Hamas and “the resistance” but September 11, 2001 is when it started.
I was right.
Playstation crapping the bed harder than Amber Heard:
- Cancels Kojima - Backs Concord
- Cancels Destiny 3 - Backs Marathon
- And oh ya, no Physical Discs - You Own Nothing
Asha is picking up a gem of gaming in Xbox. Yeah, it's a niche gem, but the games are well respected and loved.
Sony just keeps making all the wrong choices.
Get this dogshit outta here. Bro, Koei Tecmo doesn't give a shit about the DOA Community with the bullshit they are trying to pull with this generic asset flip of a character.
This character was whipped up at the last minute, hoping to satisfy the DOA Community. Bro, it's almost like they had no plans to release any new characters for DOA6 Last Round.
They thought they were able to get away with repackaging the same fucking game with minor tweaks. Once they felt the backlash from the community, they had to desperately come up with something quickly.
Think about it. We had no idea there would be any new characters from the ads. We later found out during an FGC event, when commentators read from a piece of paper the developers had brought, that a new character was coming.
Let that sink in for a second! Minato's ability, according to her backstory, is to copy other fighters' movesets using some kind of lens. That means this character is nothing more than an asset flip that can be cooked up much faster than an originally built character from the ground up.
Bro, they think we're stupid! She is another Honoka! At least Honoka was an excuse, since she was the first and only character with a moveset like this.
This character was rushed, and they waited till the very last day to reveal who she is because she was probably never meant to be in the first place!
How the fuck, do they expect us to have faith in DOA 7, when they can't handle something as simple as a DOA 6 Last Round?
We say goodbye to another legend today 🕊️
Mike McFarland, the veteran voice actor, ADR director, scriptwriter and producer, has passed away at 56. For generations of anime fans, he was especially known as the original Funimation English voice of Master Roshi in Dragon Ball, alongside major roles in Attack on Titan, One Piece, Tokyo Ghoul and Fullmetal Alchemist.
Some of his most memorable characters included:
• Master Roshi — Dragon Ball
• Jean Kirstein �� Attack on Titan
• Buggy the Clown — One Piece
• Koutarou Amon — Tokyo Ghoul
• Jean Havoc — Fullmetal Alchemist / Brotherhood
• Gordon Agrippa — Black Clover
• Mashirao Ojiro — My Hero Academia
• Carnage Kabuto — One-Punch Man
• Teppei Sugo — Psycho-Pass
• Yajirobe — Dragon Ball
• Ectoplasm — My Hero Academia
• Ryoji “Ranka” Fujioka — Ouran High School Host Club
• Cain Nightroad — Trinity Blood
His influence also extended far beyond the microphone. McFarland directed English dubs for major productions including Attack on Titan, Fullmetal Alchemist, Dragon Ball, the Rebuild of Evangelion films, Summer Wars and Wolf Children, helping shape how an entire generation experienced anime in English.
Rest in peace, Mike McFarland. From Master Roshi and Buggy to Jean Kirstein, his voice and work behind the scenes became part of countless anime memories. 🕊️
Lost in translation a 23 ans, et le monde qu'il décrit n'existe plus.
C'est un monde que j'ai connu et dont je suis nostalgique.
À l'époque, vivre à Tokyo pour un non-Japonais c'était vivre dans un monde hors du monde, coupé de tout. Ce mélange d'altérité radicale et d'anonymat de la foule attaquait jusqu'à la conscience de son propre être.
Et croiser une autre âme errante dans Tokyo créait des relations immédiates et intimes.
Aujourd'hui il n'y a plus vraiment d'endroits coupés du monde, car l'on est toujours à une visio de son foyer et des gens qui nous sont familiers. Et la grande partie de notre vie qui se déroule désormais en ligne nous suit dans toutes les géographies.
La langue elle-même n'est plus la même barrière. Je me souviens encore des cartes tentaculaires du métro tokyoïte où il n'y avait pas un seul caractère latin auquel se raccrocher. Aujourd'hui presque tout est traduit en anglais, et une app permet de traduire ce qui ne l'est pas.
En 2003, tu pouvais payer ton taxi avec ton téléphone à Tokyo et cela avait un côté futuriste. 23 ans plus tard, c'est banal.
À l'époque, aussi, la vie y coûtait très cher, et cela tenait le tourisme de masse éloigné.
Je pouvais passer des semaines à Tokyo sans rencontrer un seul occidental. Aujourd'hui ils sont par paquets de 10 dans le moindre métro. Il y a même un mouvement où de plus en plus en plus d'Américains vont s'installer à Tokyo, pour profiter des prix de l'immobilier plus bas qu'à NY ou SF, d'une ville parfaitement sûre, de milliers de restaurants et bars qui battent n'importe quel lieu américain, bref pour profiter de la meilleure ville du monde, ce que Tokyo reste, malgré tout.
Mais je reste étreint par une sensation de paradis perdu pour toujours. Peut-être le dernier du genre.