I am writer of things I wrote. Some singing. Film-watching and book-reading. Sings for Lunar Engine, The Spy Lodgers and Book of Buzz. I'm a happy guy.
Beck and Woods’ script goes through Gothicism, philosophy, twistiness, social commentary, Escape Room dilemmas, parlour games, clues and straight-up horror motifs (what’s in the basement?). https://t.co/rlfiPVahFC
What these Amicus films lack in budget they often make up for in a wonderfully dreary British Seventies’ backdrop and knowing performances. https://t.co/MTD2eYDGtN
So the summer is just about done, but don’t be too sad as I have a new album called “Lawns of a Better Place” and it is non-electronica. Summer-and-Spring songs after nocturnal diversions into hauntings, lockdowns and asylums. (@BuckTheorem): https://t.co/0ZUMDisnb2
Broad of satire, unconvincing of detail, full of glorious excess, ‘The Substance’is an EC Comic horror full of crowd-pleasing absurdity. https://t.co/OHDvj47YTQ
It’s the Seventies and, apparently at the encouragement of his wife, archaeologist Smith moves his family back to the desolate farmhouse where he digs up his traumatic past there and into a Folk Horror plot. https://t.co/7Bs0dyNeNK
There’s so much detail to get lost in (a headline about mining on the moon; Deckard climbing over a sofa to cross his over-stuffed apartment) filtered through such a dreamy atmosphere that it takes and rewards multiple viewings to digest. https://t.co/yxIFhnVPQ4
But we’ve come for the world of dinosaurs, and to this end Vogel’s direction is attentive and wise, elevating a low-budget event at least to something immersive and entertaining. https://t.co/yvHy8myAj1