OUT NOW: New collection from The Essay Library of 15 video essays based on the prompt "things that don't exist." All interpretations were welcome: fan theories/lost media/mythbusting/etc. Some even made up new media.
Here's what you'll find in "These Video Essays Do Not Exist"๐งต
SIG members @jenn_blaylock, @NicHentrich, and Lisa Jacobson ran an excellent session on experiments in #ungrading at #SCMS23. They've graciously assembled materials to share with everyone! Link below. @SCMStudies
https://t.co/0gwZmZpGRs
@dickgirldebord .@dickgirldebord : viewing alternative & queer pleasure following traumatic ones allows you to create different connections & associations in the brain, helping to process (see a wounded woman thrive in her pleasure) rather than simply traumatizing for its own sake #C30#scms23
@dickgirldebord .@dickgirldebord : act of viewing a film like this, with its admittedly distressing scenes, is difficult but can act as an adaptive mechanism for dealing with trauma - act of viewing as "limit consent" #C30#scms23
Heidi Ka-Sin Lee: The sapphic dispositif symptomatic of demand for exploration of women's feelings & thoughts, re-centering of white supremacy through stars' normative whiteness, & shift in female representation to present more authentic & unexaggerated femininity #c30#scms24
First up! Heidi Ka-Sin Lee "When the Star, the Lesbian, and the Close-up Align: Character and Spectatorial Reciprocation in the Sapphic Dispositif" #c30#scms24@SCMSQT
Heidi Ka-Sin Lee: "all these dispositive effects activated by the close-up center on the lesbians' intense interiority, involuntarily juxtaposed with the actresses' own star and screen personae" from close-up dispositive effects to a broader "sapphic dispositif"? #c30#scms24