New 5-star review for The Little Tragedy: "Other-worldly, pins-and-needles kind of story"
Get your copy now. Just $2.99 on Kindle:
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One of my favorite #authors@MindySchoeneman interviewed ANOTHER of my favorite authors @ByJeffHaws about how the book he wrote in 2016 is insanely prophetic for what life was indeed like during a pandemic. Check it out! #writerscommunity
https://t.co/cY8TCrnGs4
Authors are extremely reliant on online retail right now. I haven't spent time leisurely browsing a physical bookstore in months.๐ Online reviews are more important than ever; please take a few minutes to leave them for the books and authors you appreciate. We really need it.
@washingtonpost Iโve seen a bit of a sales increase for my dystopian series, though Iโve heard it hits a little close to home for some readers. Of course, others like that. Itโs borderline prescient. https://t.co/rcqtC5A1AG
@BubbleCow I think that's probably a fair way to see it, yes. It's a process we've worked out through a few books, and it seems to work out pretty well for both of us, financially and otherwise. She's a former editor at Harcourt and Scholastic.
@BubbleCow My arrangement with my editor: Line edit with a memo of 1-ish pages to highlight larger potential issues to address, followed by an hour-long call to discuss follow-up questions with regard to the manuscript. This is in addition to roughly 6-8 rounds of my own editing, and betas.
@BubbleCow And I'd counter with the consideration that employing developmental editors full-time helps you save on labor costs through volume and presence of ready staff. Indie authors are often already losing money, they have to find editor(s), and then pay higher freelance rates.
@BubbleCow If I had a trusted editor ready to do both, and I had reason to believe I'd recoup the extra spend due to an improved story that drew more readers, I suppose I would. But developmental editing is such a deep, structural examination, that I don't think it's always necessary.
@RachelintheOC Right. Agreed. If you have a good focus you can gravitate to outside of your writing, that can work. You've just got to find out what matters to you, and be disciplined about publishing on it.
But I've seen too many new novelists waste lots of time writing about writing.
Unless you're writing non-fiction or offering author services to make extra income, a blog is probably completely useless as a marketing channel unless you have a very large following.
Nobody (not even your friends) really cares to read about your approach to writing.
What's the most difficult truth you've learned as a published author?
I'll go first: family and friends don't read your books. They don't understand how difficult it is to write, publish, or market them. All they want to know is: Have I heard of it? Is it a NYTimes bestseller?
@TaylesbyHayles @W_Angels_Wings Those times are when I'm glad I mostly use a Kindle, because it syncs with my Kindle app on my phone, and I always have my phone with me.
'In the year 2090, America has walled itself off from the rest of the world. The Seclusion by @ JCastleWrites! books dystopian scifi #amreading#IAN1 giftideas
Amazon: https://t.co/P1j22QrP4K
IndieBound: https://t.co/loHKz4v7pl
Book Depository: https://t.co/wdaDWl9nPd
@wparker You blocked me after that? Iโve always really respected you and your journalistic work. Iโm not sure how that exchange got so out of hand, but Iโm sorry it did. Itโs unfortunate that you felt like you needed to block me, but so it is. You wonโt hear from me again.
"A cozy mystery is kind of like it sounds. Itโs feel-good crime, in a way. You have a bit of bit of gentle murder in there. You donโt have much bloodshed." Debbie Young on Cozy Mysteries! https://t.co/10HLMxImwE #cozymystery#indieauthor