It’s confusing to me that in comics, the writer is given the most credit in a similar way a director gets the most credit of a film.
When really, the comic artist is the one retelling the story in their own vision, much like a director retells the writers story in their own vision for a film.
A writer in film or comics does not write the visuals. The comic artist and director tell the story visually. Knowing this would change the perception of what a comic artist does.
A director can make or break a good screenplay. A comic artist can make or break a good comic script.
I guess I explained it.
Sorry Chris, I didn’t follow your rules exactly. 😆
Sitting here with my enneacraft deck vibrating intensely because I finally have a new paper deck and nobody to play with lmao.
Got stuck as the Routine Sunday Closer at work when that's the day locals here is, no clue when I'll finally be able to change that.
Konami has introduced Video posting Guidelines for the Yu-Gi-Oh! Card Games for Japan (maybe global soon?).
Seems they're forbidding gameplay videos directly on X and Discord, restrictions on editing content and notes of game audio now being managed by JASRAC for YT Copyright.
I am always saying this!!! If your "evil path" does not stand on its own then you do not have multiple paths! You just have "The Real Game" and "Deliberately Fucking Up To See What Happens"
I've been thinking about binary "good vs bad" dilemmas in rpgs and came into conclusion that making evil path fun and rewarding is borderline instrumental to make the good path actually fulfilling instead of a default auto-pilot option