HQ CLIP OF “BIZARRE” BY MADONNA X MARTIN GARRIX! Posted by Martin Garrix on instagram tagging Madonna! This is so good, I could cry! 🥹😍❤️🤩 #CONFESSIONSII
Nenhuma, eu repito NENHUMA cantora pop teria coragem de fazer algo referênciando banheirao e parceria com o grindr
Madonna sempre vai ser a diva pop q mais apoia a cena LGBT disparado, levantar bandeira em show eh mto facil// RT
Ser fã da Madonna é surreal, 3 anos atrás ela estava em coma por infecção bacteriana, logo depois meteu mais de um milhão de pessoas em Copacabana e fez isso virar tendência no mundinho pop e agora tá lançando disco, fazendo show, filme, participação em série, em plena atividade.
We’ve already covered the Confessions II premiere at length, but there’s plenty more worth sharing. Our friend @mattrett — a longtime Madonna authority and walking Madonna encyclopedia — was in the room for the Tribeca Film Festival screening. Below are the passages we found most interesting, but they’re only a fraction of what he covers, and his full article is well worth reading.
How the songs sound
Since none of these tracks have been heard yet, Matthew’s musical impressions are especially valuable:
- “One Step Away” struck him as an anthemic, world-music kind of jam.
- “Danceteria” is, in his words, A BANGER — a propulsive dance track without the breathy insouciance of “I Feel So Free” or the sing-song pop of “Bring Your Love.”
- “Read My Lips,” the album’s big surprise, features rapper Feid; Matthew calls it verging on reggaeton and, despite Madonna’s history of rapper collabs, actually great.
- Where on Confessions the seamless mix was a pleasing touch over songs that worked as distinct tracks, several of them hits, on Confessions II it’s the whole point — the album plays like one big, hour-long rave.
What you see on screen
- The film opens glamorously on “I Feel So Free,” then zips into outer space for “Good for the Soul,” with models firing laser beams — a sequence Matthew says rocks.
- “Bring Your Love” gets the electrifying set piece: Madonna and Sabrina Carpenter dashing into a warehouse rave, looking like intergenerational versions of each other. It’s also where Madonna flips through the air in a jockstrap-style device she’s worn before, and where she whips her hair and transforms in a blink into a ravishing Julia Garner.
- “Danceteria,” the chaotic early-‘80s men’s-room scene, is the film’s indisputable highlight and where most of the cameos happen.
How it came together
- Madonna revealed the Confessions II film was shot here and there over six months, whenever participants were available, and that it was Guy Oseary who suggested she build the project around the album’s first six tracks.
- On how the project came about: Madonna had long been set on the biopic about her life, and it was only when that fell through — “When that didn’t happen, I signed up for a Netflix series” — that the album followed, making it, in a sense, an outgrowth of all that work on her own story.
Read the full article here: https://t.co/WwQIqGbCrW