Museums have also used digital platforms to campaign for social justice and as a space of visibility to be accountable.
Ultimately, think we are at a very exciting threshold, and it would be a huge loss if we do not build on this impetus.
@museumhour#MuseumHour
A10. The ways we think about museums are forever changed. As things return to (the new) normal, museums cannot simply forget about the new, potentially global, audiences they have acquired. (1/3)
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The recent and current exhibitions @McrMuseum have been produced simultaneously as a physical and also an accessible digital exhibition (thanks especially to @chiara_ldl), this was already embedded in the way we work. (2/3)
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https://t.co/lkOKVVuwXB
This has has been fantastic for museums and heritage, as it has brought visibility and trust. It has created role models, and it has brought multiple voices to museums and their objects. (2/2)
@museumhour#MuseumHour
A6. With or without COVID-19 it has been interesting to see an increasing celebrity culture among museum folk, particularly curators. As experts on news reports & appearing on and presenting documentaries, from newspaper columns to ‘Twitter famous’ (1/2)
@museumhour#MuseumHour
Shared values, a sense of community and involvement, entertainment, activities, formal and informal learning. Marketing is about communicating the museum as a safe space which welcomes all. (3/3)
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A2. Museums are not static institutions and are no longer styled as treasure-houses. They are not a commodity or product, but rather organic spaces which include people and objects, and importantly, are also a part of a community. (1/3)
@museumhour#MuseumHour
I think the lockdown has highlighted the necessity for museums to understand the impact and importance of their digital reach a lot more clearly. The audience will no longer be confined to those accessing the physical building. (2/3)
@museumhour#MuseumHour
The focus @McrMuseum has not been to produce digital and online content simply for the sake of it, but rather that which aligns with the museum’s vision and values, and is also responsive to the needs of our audience. (3/3)
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https://t.co/8udonQcCgu
A1. It is important to recognise the unprecedented nature of the COVID-19 lockdown. In the first instance there was certainly a need to take a measured approach to producing content and not immediately overloading and overwhelming audiences (1/3)
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However, it must also be acknowledged that there has been a continuous and increasing demand for educational resources and family activities, especially for those who are home educating. (2/3)
@museumhour#MuseumHour#MuseumFromHome
@DanNouveau@V_and_A@orlandrag_@__Dor__@jackshoulder Thank you all for putting this together! Your passion and enthusiasm were as inspiring as the objects and the stories themselves ✨ We are designing an LGBT+ tour and trail at @McrMuseum so it’s super to see what good looks like!
Very happy to visit our shabti of King Seti I @stambroserc and meet staff and pupils. Well done to the lad who put his hand up and said "It wasn't Howard Carter who discovered #Tutankhamun, it was an Egyptian water boy" #ShabtisInSchools 👏 👏 👏
At a very basic level, galleries need to be staffed to comply with insurance policies, loan agreements and health and safety procedures.
It’s time to think outside these limitations - throw out the rule book of what is required/expected and be extraordinary!
Q8. #FoHMusuems are pretty important to museums right? For many it doesnt feel like that.
But what would museums look like if #FoH were not there? Would museums be differnt without front of house? #MuseumHour