el chivo berrinches

¡A romperse su pinche madre!

[Vibrato Eterno @LatidosDePasion]

En 1995, Oasis lanzó el himno definitivo del britpop "Wonderwall".
Pero ese mismo año, un grupo decidió robarle la canción y transformarla en algo que nadie esperaba: un lounge elegante y retro.
El resultado fue tan brillante que...

[Alex Pérez @honordetigre]

Gran consejo de Denzel Washington.

[Me Mata La Nostalgia @GenX_ARG]

El Señor Matanza, 1994
Cuando las letras importan...

[Lee Por Gusto @LeePorGusto]

De lo que hizo Julio Cortázar al enterarse que fue incluido como personaje en la historieta Fantomas. No te pierdas su reflexión final.

[Oasis @oasis]

Mexico City - One year ago 🇲🇽

[Lo Mejor Que Verás Hoy 👏 @universoviral]

Ahora veo por qué Peter Parker siempre quería quedarse con su tía May

[Music over time🎻 @Peal8888]

The Sweetest Way to Say “I’ve Had Enough.”

She looked like she was performing a sugar-rush pop song. Then the attitude arrived.

That is the quiet trick of Alizée’s J’en ai marre!. The title itself is blunt French for “I’ve had enough.” The music, though, refuses to sulk. It bounces. It sparkles. It wants to be hummed in a supermarket. Meanwhile the girl on stage smiles as if she has just been handed a secret she is not quite ready to share.

The performance works because it never chooses between sweetness and steel. Alizée does not storm the stage or growl the lyrics. She does not need to. The choreography stays light, feminine, almost doll-like in its precision, yet every sharp little accent in the shoulders and hips carries a flicker of mischief. You watch her and think: this is cute. Then you listen again and realize she is itemizing fatigue. The contrast is the point. A song about being done with it all should not feel this inviting. That is exactly why it sticks.

Most “I’ve had enough” anthems announce their mood immediately. They raise the volume, tighten the jaw, demand to be taken seriously. J’en ai marre! does the opposite. It wraps irritation in a melody so catchy that the complaint almost disguises itself as play. The result is stranger and more interesting than straightforward anger. Alizée does not shout that she is tired. She dances as if exhaustion itself could be stylish. There is something faintly dangerous in that idea: that a young woman can look adorable while quietly withdrawing her patience.

That is why the 2000s television clip still travels. A single performance, one outfit, one set of steps, and a face that refused to look furious even while the song insisted otherwise. Years later people still recognize the silhouette. The dance even slipped into an unexpected corner of pop culture; the female Night Elf animation in World of Warcraft is widely said to have borrowed from it. A French pop number about being fed up ended up living inside a video game. That kind of afterlife only happens when an image is precise enough to be copied and strange enough to be remembered.

The lasting appeal is not nostalgia for a pretty singer or a famous hit. It is the unresolved tension. She looks sweet. The song says she has had enough. The body keeps smiling while the words keep score. That gap is more memorable than either sweetness or rebellion on their own. It suggests a kind of power that does not need to raise its voice. Sometimes the most convincing way to say you are finished is to keep dancing as if nothing is wrong at all.

[NUBIA🐇 @NubiaArizaga]

En #OtroRollo invitaron a un "poeta" llamado Joaquin Reguero que se molesto porque *Adal Ramones* no aprecio su poesia y lo golpeo con un jarron,cortaron la transmision y se creyo que fue real y aunque lo aclararon ese mismo dia,a Joaquin,Adal y Yordi se los siguen preguntando.

[Natalie F Danelishen @Chesschick01]

I think Sydney Sweeney wants to abolish the federal reserve.

[@BrennpunktUA 🇩🇪🇺🇦 @BrennpunktUA]

Und dann passiert es. Im August 2026 taucht aus heiterem Himmel plötzlich Dein Jugend-Schwarm in Deiner X Timeline auf. Ich hab sie seit ~20 J. nicht gesehen/gehört. Schöne Erinnerungen. Omg. Alle Männer meiner Generation waren in sie verliebt. Alle. 😍❤️
Was macht Alizée heute?

[Futebol Nostálgico! @futnostalgico]

Dennis Bergkamp era ABSURDO 😍

[The Extreme Football Enthusiast @ExtremeFootbal4]

“Babe, are you watching that Francesco Totti goal again?”

“Yes.”

[Futebol Nostálgico! @futnostalgico]

O pênalti de Baggio em 1994. 🤯

[Luis García P @GarciaPosti]

Hoy se cumplen 32 años de un momento que me sigue enchinando la piel, y lo recuerdo porque justo estamos viviendo una justa del verano.

La verdad, nada se compara con meter gol en una Copa, porque representar a tu país es la satisfacción más grande que un futbolista puede tener.

Nos vemos esta tarde a las 6:30 PM por Azteca Siete.

[Sphera Sports @SpheraSports]

8 minutos con lo mejor de Diego Armando Maradona en los Mundiales de Fútbol. Joya audiovisual.

[Alberto Cosín @albertocosin_]

⚽️ Todos los goles del Mundial de Francia 1998.

[Cristiano Ronaldo @Cristiano]

RIP THE SCRIPT @Nike

#Ad

[El Sol de México @elsolde_mexico]

🔴 Después de más de una década, Pulp regresa al Palacio de los Deportes. Con "Disco 2000" en la primera parte del concierto, la banda liderada por Jarvis Cocker enciende al público

📸Luis Valdovinos

[REFORMA @Reforma]

#VIDEO | El grupo británico Pulp desató la locura en el Palacio de los Deportes esta noche. Como preámbulo al tema 'Something Changed', el cantante Jarvis Cocker encantó a sus fans con un largo discurso en español. #Gente
📹Mario Abner Colina