I will never understand the obsession with demonising MTN Nigeria over its South African origin. I am tired of showing people what they ought to see with their own eyes.
MTN Nigeria is a NIGERIAN company. Full of Nigerians. Pays most of its wages to Nigerians. Pays more tax than most Nigerian companies. Does business with Nigerian companies. Committed to Nigerian people and Nigerian communities.
We cannot address our differences with South Africa and South Africans by looking for ways to hurt ourselves. This is not to deny MTN’s origin, but the reality of MTN in Nigeria is now more Nigerian than South African.
This tweet was inspired by watching a Nigerian Senator talk about MTN like it’s this foreign thing we must take over. Bro, this is 2026. Let’s not talk about ideas that failed us 50 years ago like they are new discoveries. C’est finis. Applies to other such people.
South Africa’s response to the request by the Republic of Ghana for a debate at the AU on the “Xenophobic Attacks in the Republic of South Africa against African Nationals”
The Government of the Republic of South Africa has noted the request by the Republic of Ghana for a debate at the upcoming African Union (AU) Mid-Year Coordination Summit scheduled to take place in Cairo, Arab Republic of Egypt, on the 24th of June 2026 on what it
calls “Xenophobic Attacks in the Republic of South Africa against African Nationals”.
Following sporadic incidents of confrontation against some immigrants, among them citizens of fellow African states residing in South Africa by sections in our communities earlier this
month, the South African government moved swiftly to condemn acts of confrontation and intimidation and directed all law enforcement agencies to promptly take the necessary actions
within the laws of the Republic to guarantee the safety of citizens, residents and visitors and to bring to book all perpetrators whose actions are inconsistent with the rule of law and
fundamental values of our Constitution.
Baby Omphile is still missing. If anyone has any information, please contact the investigating officer, Sergeant Moshe Mashaba, at 082 319 9448.
#BringBackOmphile#BringOmphileHome
One thing about love people overlook is how mentally and emotionally present you have to be to really feel it. Nowadays that every one is doing so many things at once, on our phones, and distracted by everything going. it’s hard to be present. which is making it hard to feel love
I’m not understanding the ( men aren’t atms ) movement ? ??
Who is forcing men to give women money ?
How can u compare that to women getting raped , abused and killed ???
Okay.. Joburg we see all the messages about tickets being sold out already 💜 but don’t worry more tickets will be available at 7 pm SAST! can’t wait to get there and give you what you been needing. ➗
When Tyla said she is not Black but Coloured, she was not speaking into the American conversation about race at all. She was speaking in the language of her own country, shaped by its own history. Yet her words detonated in America as though they had been aimed there. This is what happens when a nation has spent a century convincing the world that its definitions are the only ones that matter.
America’s greatest export has never been war. It has never been democracy. It has never been freedom. America’s greatest export is the dream of itself.
It is not that the films are inherently better. It is not that the music contains some mystical note absent elsewhere. What America has, and what it has always had, is money, reach, and a machinery built to make its image the centre of the world.
This was not accidental. It was policy. It was the soft arm of empire. To project yourself outward until your face is the first one people recognise in the mirror.
And so the American way of life became the default. Other cultures were filed into two neat drawers: savage if they challenged the story, exotic if they could be sold back to you.
If you are Black, your first cinematic self was likely African American, the rapper, the sitcom character, the hero of a Spike Lee joint. If you are white in Europe or Australia, it was the white faces of American sitcoms and stadium tours. Whoever you were, your first image of yourself came with an American accent.
Over time, Americans began to believe the story they had written. When you grow up in the country that built itself into the cultural Mecca, it is easy to think you are the best simply because you are on top. You forget, or never know, that the game was fixed long before you played it.
But the monopoly is breaking. Nigeria’s Nollywood now speaks across oceans. South Korean dramas leap borders. India’s Bollywood never needed permission to fill theatres. Spanish thrillers keep strangers awake at night. Slumdog Millionaire, Squid Game, Money Heist, Shōgun — all aimed partly at the American market because that is where the money is, but no longer about America.
And here is the thing. Black Americans, who fought to be seen in their own country, became the global face of Blackness. That is a remarkable achievement. It was also made possible by the same system that excluded everyone else. Now Africans, Caribbeans, and Afro-Latins tell their own stories without making room for American centrality, and the absence is noticed.
We grew up watching you. You did not grow up watching us. And now the internet has levelled the ground just enough for others to speak without hesitation. Tyla’s words land differently because the world no longer accepts America as the only arbiter of meaning.
America’s greatest export was never its art. It was the power to decide which art, and which identities, the world would see. That power is no longer yours alone. There is both justice and loss in that.