Celluloid Tunes

Celluloid Tunes is Norway's first and only website about film music.

[Celluloid Tunes @CelluloidTunes]

Hans Zimmer's score for the third season of EUPHORIA is getting lots of buzz. Here's our take on the soundtrack album! https://t.co/HWGONhIJLR

[Celluloid Tunes @CelluloidTunes]

Leonard Nimoy's unheralded STAR TREK IV: THE VOYAGE HOME (1986) turns 40 this year. For the occasion, Mark Burgess has provided an essay on Leonard Rosenman's score. https://t.co/nqZ2s6i7mz

[Celluloid Tunes @CelluloidTunes]

A new batch of mini reviews, including STRANGER THINGS: TALES FROM '85 and Brian Transeau's premiere release of Doug Liman's 1999 cult classic GO, among other things. https://t.co/O2Y4iAjYvs

[Celluloid Tunes @CelluloidTunes]

Filmkomponist og elektronika-artist Daniel Lopatin (@0PN), holdt konsert på Munch-museet i Oslo 11. april. Vi var der, og i sampublikasjon med filmnettstedet @montages følger her en rapport og en liten Lopatin-profil i samme slengen: https://t.co/krjD8iqla8

[Celluloid Tunes @CelluloidTunes]

Mark Burgess finds a gem in Eliot Leung's cinematic piece "The Wuxia Commemoration". https://t.co/uNr74ZA1qP

[Celluloid Tunes @CelluloidTunes]

Mark Burgess examines some pre-Star Wars film composers who made its score possible, many of whom are represented on the Chandos label. https://t.co/RmFVdN0S3G

[Celluloid Tunes @CelluloidTunes]

There are good bits in Daniel Pemberton's PROJECT HAIL MARY (2026), but they are overshadowed by excessive presentation. https://t.co/X0qGl1ZEUK

[Celluloid Tunes @CelluloidTunes]

Something for both the synth heads and orchestral fans among us in the latest mini review batch. Mostly hidden gems, but also the latest Thomas Newman/Andrew Stanton collaboration, IN THE BLINK OF AN EYE (2026). https://t.co/CqRac3O5DY

[Celluloid Tunes @CelluloidTunes]

I kveld står Hans Zimmer på scenen i Fornebu Arena for tredje gang. I den forbindelse publiserer vi vår omtale av hans FØRSTE opptreden i Norge, i 2017. Var du der? https://t.co/StqLaGy8wX

[Celluloid Tunes @CelluloidTunes]

The Weeknd's vanity project HURRY UP TOMORROW (with Daniel Lopatin) and the new Raimi/Elfman work SEND HELP are among the titles in the latest mini-review batch: https://t.co/HRoO1oOvPM

[Celluloid Tunes @CelluloidTunes]

Jon Aanensen presents another filmography, this time for the iconic Giorgio Moroder! https://t.co/jSkk7FH6DU

[International Film Music Critics Association @IFMCA]

Here are the nominations for the 2025 IFMCA Awards.

https://t.co/pbrWJTKuIr

[Celluloid Tunes @CelluloidTunes]

2025 var et godt norsk film-år, men hvordan var filmmusikken? Tradisjonen tro presenterer vi (nesten) alt som ble produsert i Norge i fjor - 28 titler i høyt tempo, som vanlig er dette det eneste stedet du får hørt et lite kutt fra disse: https://t.co/6VAkfP0bqu

[Celluloid Tunes @CelluloidTunes]

And here they are, our top 10 favourite scores of 2025! https://t.co/E4SBPlghwA

[Celluloid Tunes @CelluloidTunes]

Last batch of mini reviews before we sum up the preceding year. Avatar + loads of under-the-radar gems! https://t.co/TgvMLzI2cF

[Celluloid Tunes @CelluloidTunes]

@OPNofficial (Daniel Lopatin) once again creates a marvelous synth score for a Safdie film here at the tailend of the year, with MARTY SUPREME. Our two cents here: https://t.co/vcEwq4gqOq

[Celluloid Tunes @CelluloidTunes]

Jon Aanensen covers the entire visual media work of legendary synth gurus Tangerine Dream in this new filmography: https://t.co/N5DeMI4avo

[Celluloid Tunes @CelluloidTunes]

Finally, after 35 years, James Newton Howard's impressive score for Joel Schumacher's overlooked FLATLINERS (1990) gets a soundtrack release. A few thoughts here: https://t.co/3PjV2nWe4g

[Celluloid Tunes @CelluloidTunes]

New batch of mini reviews, covering - among others - Jerskin Fendrix' spellbinding BUGONIA and the new release of Maurice Jarre's beautifully dark JACOB'S LADDER (1990). https://t.co/StS1sMub39

[Celluloid Tunes @CelluloidTunes]

Omsider har verden fått en ordentlig John Williams-biografi, skrevet av Tim Greiving og med input fra komponisten selv. Redaksjonsmedlem og Williams-ekspert Nils Jacob Holt Hanssen foretar en grundig gjennomgang og evaluering i vår aller første bokomtale: https://t.co/R0HJqIy2jW