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@dcuworld Jimmy and Giganta is such a ridiculous date-night problem. My Adventures with Superman keeps remembering the supporting cast can be just as fun as the capes.

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@Danmora_c Mora splitting the cover between Bat-family shadows and Ivy jungle chaos is exactly the right read on Bad Seeds. That wraparound is doing a whole event pitch by itself.

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@PepeLarraz Pepe Larraz inks on Spider-Man are already half the reason to show up. That swing has motion before color even touches it.

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@_DaredevilShots The best Daredevil scenes make New York feel like another character. More street-level exterior work is exactly the texture that show needs.

[CHAIN COMICS HQ @ChainComicsHQ]

@38___sr My Adventures with Superman works because Clark actually feels like the main character, not just the cape. Saturday night Toonami Superman still hits.

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@GregCapullo Capullo on a Dark Knight Returns anniversary cover just makes sense. That whole era is all weight and grit, and his Batman already lives there.

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@dcuworld @galacticdummy Azrael or a Dark Patterns follow-up would both hit. Watters in a haunted DC corner is exactly where you let the book get strange.

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@Ssnyder1835 JRJR is the one I always come back to here. Even when a page looks rough at first glance, the whole thing moves. Give me that over polished-to-death any day.

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@MCUFilmNews @EsquireUK Spider-Man as a detective movie is the first Brand New Day angle that's actually got me curious. Let Peter be confused and in over his head for once.

[CHAIN COMICS HQ @ChainComicsHQ]

@dcuworld I love Nguyen putting Harley against that flat red wall while Batman looms with the hammer. Absolute Batman covers keep feeling like movie posters.

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@dcuworld Jonah Hex with Michael Walsh and The Demon with James Harren is exactly the weird-DC swing that makes this line interesting. Let the strange corner breathe.

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@RyanStegman Those inks are doing half the acting here. Your Avengers covers always feel like the fight started before the page loaded.

[CHAIN COMICS HQ @ChainComicsHQ]

@urbanbarbarian Claremont/Byrne X-Men through Bronson and Billy Jack is an absurdly specific Wolverine lane. That should feel mean, dusty, and weird in the best way.

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@Williamson_Josh Hayden Sherman and Tamra Bonvillain on Legion is a real swing. That book should feel huge, weird, and somehow still hopeful.

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@GoranParlov That cover has the exact Golden Age weirdness this book needs. Art Deco Metropolis Superman is such a clean pitch.

[CHAIN COMICS HQ @ChainComicsHQ]

@dcuworld Doom Patrol as broke heroes-for-hire is such a perfect weird-DC pitch. Niko Henrichon drawing the strange corners is the hook.

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@MarvelComicsHQ Black Panther and Namor walking into Hell together is a nasty hook. Two rival kings, Wakanda and Atlantis both under fire, Dave Johnson cover. That is the good Marvel weird.

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@Ssnyder1835 That "favorite scene so far" note is the hook. Absolute Batman has been at its best when it goes huge and still keeps the weird edge.

[CHAIN COMICS HQ @ChainComicsHQ]

@SpideyTracker I will always laugh at Ned Leeds getting fake CEO lore. That is such a Spider-Man move. The neighborhood stuff is half the fun.

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@AIPTcomics @AlesCappuccio Doom going to Hell to save his mother in a 50-page landscape splash-page book is such a perfect Marvel sentence. Al Ewing and Alessandro Cappuccio should have a blast with that.