impersonalityは文学の本質
#ナボコフ
So what is the authentic instrument to be used by the reader? It is impersonal imagination and artistic delight.
#ロラン・バルト#リチャード・・ハワード#作者の死
to write is to reach, through a preexisting impersonality
#若島正#柴田元幸
it=substituting language itself 舌(エロ文学)
speakやutterも口に関係がある
author auto-r オナ〇スト
#ロラン・バルト#リチャード・・ハワード#作者の死
for Mallarme, as for us, it is language which speaks, not the author:
#若島正#柴田元幸
substituting language itself お〇ん〇んを置き換える舌(エロ文学)
#ロラン・バルト#リチャード・ハワード#作者の死
In France, Mallarme was doubtless the first to see and foresee in its full extent the necessity of substituting language itself
#若島正#柴田元幸
certain: of a specific精〇の but unspecified警察にバレていない characterお〇ん〇ん
write カマを掘る
topple it 勃〇して前屈みになる
#ロラン・バルト#リチャード・ハワード#作者の死
it is evident that for a long time now certain writers have attempted to topple it.
#若島正#柴田元幸
Author オナ〇ストの神
recent: having lately come into existence遅漏の
consolidate: to form into a compact mass
#ロラン・バルト#リチャード・ハワード#作者の死
Though the Author's empire is still very powerful (recent criticism has often merely consolidated it),
#若島正#柴田元幸
author auto-r オ〇ニスト
confidence 中年最後at the end of the middle agesの精〇の濃さ自慢
#ロラン・バルト#リチャード・ハワード#作者の死
it was always finally the voice of one and the same person, the author, which delivered his "confidence."
#若島正#柴田元幸
transparent キン〇マが死んで精〇が透明になる
allegory: a symbolicお〇ん〇ん representation
fiction: something invented by the imagination
#ロラン・バルト#リチャード・ハワード#作者の死
as if, through the more or less transparent allegory of fiction,
#若島正#柴田元幸
explain: to make plain=castrate
work: something produced by the exercise
#ロラン・バルト#リチャード・ハワード#作者の死
the explanation of the work is always sought in the man who has produced it,
#若島正#柴田元幸
the failure of the man かわいそう
vice ホ〇
#ロラン・バルト#リチャード・ハワード#作者の死
criticism still consists, most of the time, in saying that Baudelaire's work is the failure of the man Baudelaire, Van Gogh's work his madness, Tchaikovsky's his vice:
#若島正#柴田元幸
author auto-r オ〇ニスト
person お〇ん〇ん
history: one that is finished or done for
taste: : a small amount
passion: : sexual desire
#ロラン・バルト#リチャード・ハワード#作者の死
on the author, his person, his history, his tastes, his passions;
#若島正#柴田元幸
contemporary: happening, existing, living, or coming into being during the same period of time一緒にイク
spec-,culture種まき,field,gather,reedのダジャレ
#ロラン・バルト#リチャード・ハワード#作者の死
the image of literature to be found in contemporary culture
#若島正#柴田元幸
culture,field,gather,read-reed=mill,spec-などダジャレ
#ロラン・バルト#リチャード・ハワード#作者の死
the image of literature to be found in contemporary culture is tyrannically centered on the author, his person, his history, his tastes, his passions;
#若島正#柴田元幸
unite一緒にイク
private journal同人誌
#ロラン・バルト#リチャード・ハワード#作者の死
and even in the awareness of literary men, anxious to unite(, by their private journals, their person and their work);
#花輪光
×おのれの人格と作品を日記によって結びつけようと
#若島正#柴田元幸
author auto-r オナ〇スト
manual 手引き
#ロラン・バルト#リチャード・ハワード#作者の死
The author still rules in manuals of literary history, in biographies of writers, in magazine interviews,
#若島正#柴田元幸
#ロラン・バルト#リチャード・ハワード#作者の死
Hence it is logical that with regard to literature it should be positivism, resume and (the result of capitalist ideology),
#花輪光
資本主義イデオロギーの要約でもあり帰結でもある実証主義が
誤訳ニャン。
#若島正#柴田元幸
discover発見 invent発明との対比
individual, person オ〇ニスト
#ロラン・バルト#リチャード・ハワード#作者の死
it discovered the prestige of the individual, or, to put it more nobly, of the "human person"
#若島正#柴田元幸
personal オ〇ニー
faith: mental conviction of the reality of some being or phenomenon
reformation: the act, process, or result of improving something
#ロラン・バルト#リチャード・ハワード#作者の死
and the personal faith of the Reformation,
#若島正#柴田元幸