"Harakiri" (1962, dir. Masaki Kobayashi)
"HANA-BI" (1997, dir. Takeshi Kitano)
"Hard Boiled" (1992, dir. John Woo)
"La Haine" (1995, dir. Matthieu Kassovitz)
I really don't get why people play characters for their looks. Do you think I play Gordeau because his ripped physique, fat cock, and perfect hands to choke me out? No, I play him because he's mid tier.
Ufotable's big flash particle effects style does not work for Fate/stay night, it actively detracts from the strengths of the narrative and adds nothing except superficial key jangling that doesn't properly convey the feeling of reading a fight in the VN
Simple...
1. Not adapting fate route that is from where one starts fate(the 2006 one isn't a proper adaptation)
2. UBW is good, but not perfect, it needed that heaven's feel direction
3.Heaven's Feel, the longest route in the VN, is cramped into 3 movies
If I think about art cinema or whatever the first thing that jumps to my mind is '60s Jean-Luc Godard stuff, but it makes sense that "Citizen Kane" still has the reputation it does
Ok yeah but it's still at number 3, and the replacements are either too unconventional to have wide appeal ("Jeanne Dielman") or a genre film that doesn't fit the high art reputation as well ("Vertigo")
only tangential to OP but I love how Citizen Kane has kind of solidified as the go-to symbol for high art auteur cinema when it hasn't even been sight and sound's top movie for more than two decades