@a_inesm@catvalente I have played them. Started with 2. loved it so much I went back to start the first. Then picked up 3 on release. Same with Andromeda but it was terrible.
@Vara_Dark What would be nice if these DEI hires would stop infecting already established series like Gears, Dragon Age, Mass Effect and Alan Wake II with their “identity struggle” narrative and work on an entirely new IP that allies will feign interest in to own chuds and not buy it.
@SmashJT Didn’t Kate Rayner just leave the @CoalitionGears as well ? Seems to be a pattern emerging here. Implement gender struggle narrative garbage, leave studio shortly after game release, game sells below expectations, studio layoffs/closure, DEI poison hired at new position.
@_Leonorb Is it really that hard for blue brains to understand the difference in narratives between the 2 games ? Baldurs Gate did it naturally which kept the narrative flow consistent. Veilguard had bad narrative making it feel forced.
@HoplitePlays No one cared about the lesbian or gay romance options in Mass effect, or ME 2 & 3 or even Andromeda. They just don’t like games with bad narrative or gameplay. Anthem was bad, Andromeda was bad and Veilguard was full of gender struggle narrative trash. People like you buried it.
@sairaspooks Being on the creator council for Dragon age and not criticising the direction it shifted too and blaming “chuds” is a weak take. People like you used Veilguard for self exposure, got free copy of the game while disregarding what Dragon Age was to the community. Now it’s gone.
@bioware Imagine someone thinking it was a good idea to have someone as the game director for Veilguard who worked on titles such as monopoly streets and sims mobile only for them to insert thier own “indentity struggle” politics and completely ruin a series and company. Great job