CINESISTERS WOMEN’S DAY FILM FESTIVAL on Sat 8th March at All is Joy Studios in Soho! An exclusive event packed with acting workshops (inc. Dame Imelda Staunton), panel talks with top filmmakers, short film screenings, networking drinks and more!
🎟️: https://t.co/MhK1TzXUku
Our friends at @ReclaimTheFrame are hosting a very special preview screening of THE UNINVITED at Garden Cinema next week, followed by a Q+A with director/writer Nadia Conners.
🗓 Thursday 8 May, 7:45pm
📍Garden Cinema, London
🎟️ https://t.co/Jq2kXjwIYx
Our friends at @ReclaimTheFrame are proud to be kick-starting their Q&A tour for AN ARMY OF WOMEN by Julie Lunde Lillesaeter, starting with their Charity preview for Refuge on Wednesday 23 April, 8pm @ Finsbury Park Picturehouse!
#TheSubstance director Coralie Fargeat explains her decision to pull the film from Camerimage Film Festival, following comments the festival director made about female cinematographers: "I can't let myself get insulted and do nothing. I think it's time that our actions change when those type of behaviors happen." https://t.co/0VTKp2WJND
Coralie Fargeat has pulled ‘THE SUBSTANCE’ from the Camerimage Film Festival.
Fargeat called out festival director Marek Żydowicz after he suggested that having greater representation of women DPs and directors in the event’s selection could lead to the inclusion of “mediocre film productions.”
CINESISTERS applaud our sisters at WOMEN IN CINEMATOGRAPHY in their petition and programme of events at Camerimage festival to shift the representation of female cinematographers and lay the groundwork for meaningful and lasting progress.
I’m incredibly honoured to announce that Fréwaka is in the official selection for the legendary @FilmFestLocarno
P.s: Have you ever seen *anything* as magnificent as this goat ‘en passant guardant’ by the incredible artist Lou Benesch.
“Really successful people – mainly women.. some are Bafta winners – get in touch saying ‘Do you know what? I can’t afford my nursery fees this month.’ There are people who come from working-class and marginalised backgrounds who... still struggle to sustain a standard of living.”
@TheGardenCinema kicks off summer with "Women Aren't Funny", a season featuring 13 comedy films directed by and written by women! Explore how these daring comedies redefine the genre through various intros, events, and partnerships:
🎟️: https://t.co/q7CpQonZmw
@TheGardenCinema kicks off summer with "Women Aren't Funny", a season featuring 13 comedy films directed by and written by women! Explore how these daring comedies redefine the genre through various intros, events, and partnerships:
🎟️: https://t.co/q7CpQonZmw
@TheGardenCinema kicks off summer with "Women Aren't Funny", a season featuring 13 comedy films directed by and written by women! Explore how these daring comedies redefine the genre through various intros, events, and partnerships:
🎟️: https://t.co/q7CpQonZmw
‘At the start you get molested and by 45 you’re too old to work’ – the secret misery of women working in TV | Television & radio | The Guardian https://t.co/bZbGJz3M2R
⏰ Set your clocks - the award winning Film London Microwave-produced feature Sweetheart by @marley_morrison arrives on @NetflixUK on Wednesday 8 May!
https://t.co/0tU3WwFD0h
Jennifer Lame wins Best Film Editing, joining the ranks of Thelma Schoonmaker and only a handful of other female editors to be awarded at the #Oscars2024
The first woman to win an #Oscars Academy Award for Film Editing was Anne Bauchens for Northwest Mounted Police in 1940 🎞️✂️
To mark International Women's Day, we have two special screenings supported by the Arts and Humanities Research Council.
The Second Mother
Tuesday 5th March @ 5:50 pm
The Chambermaid + Panel Discussion
Friday 8th March @ 6 pm
Book now 🎟️