Claire Anscomb

Pencil wielding artist and philosopher of art. Lecturer @DMUFineArt and Editor @DebateAesthetic

[Claire Anscomb @ClaireAnscomb]

Thanks to the Junkyard for the invite to contribute this post featuring a sneak peek of some of my forthcoming work on this topic!

[Amy Kind @amykind]

Clair Anscomb assesses the prospects for using generative AI systems as imaginative aids in creative undertakings

[Claire Anscomb @ClaireAnscomb]

@LizardVentham Happy birthday! 🥳

[Debates in Aesthetics Journal @DebateAesthetic]

We are pleased to announce a Call for Papers, Interviews, and Book Reviews for our next general issue. The deadline for submissions is 11th August 2023.

[Aurélie Debaene @DebaeneAurelie]

2 weeks left to get your papers in!

[Claire Anscomb @ClaireAnscomb]

This was such an amazing project to be involved in! Thanks to @milena_ivanova_ and @alicemurphs for putting together this exciting volume #aestheticsofexperiments 😍

[Milena Ivanova 💙💛 @milena_ivanova_]

Have you ever wondered what Duchamp’s urinal and the Messelson-Stahl experiment have in common? In her chapter ‘Beautiful Experiments in Art and Science’ @ClaireAnscomb offers an illuminating answer. #aestheticsofexperiments

[Claire Anscomb @ClaireAnscomb]

Looking forward to speaking (virtually) at the University of Turin’s ART seminar this evening about whether AI systems are tools or collaborators. More info and joining details here: https://t.co/MRnic3vmQq

[Claire Anscomb @ClaireAnscomb]

@milena_ivanova_ @apaphilosophy Congrats Milena! 👏

[Debates in Aesthetics Journal @DebateAesthetic]

We're excited to start 2023 with the wonderful news that Kiyohiro Sen is the winner of the Debates in Aesthetics Prize for the paper, "An Institutional Theory of Categories". Sen's paper can be read here: https://t.co/EhkKUrlssA

[Claire Anscomb @ClaireAnscomb]

Had a great time chatting about AI and art-making with Brandon, check out our conversation 👇

[Claire Anscomb @ClaireAnscomb]

It’s nice to have friends who support you through the ageing process! 🎂

[Claire Anscomb @ClaireAnscomb]

Had a brilliant time introducing historic and contemporary methods of photo-editing to Selfie Esteem workshop participants @OpenEyeGallery yesterday! Thanks to all who came and contributed fantastic discussion about image alteration for beautification #BeingHuman2022

[Claire Anscomb @ClaireAnscomb]

Looking forward to delivering this tomorrow! 😊

[Claire Anscomb @ClaireAnscomb]

@Claire_L_Leach Congratulations! ☺️

[Claire Anscomb @ClaireAnscomb]

@wash1756 @LalaurenStep @OpenEyeGallery Hey Washington! Not on this occasion but it’s a workshop I’d like to keep developing so maybe in future. I’ll keep you posted!

[Claire Anscomb @ClaireAnscomb]

Should we be worried about the use of new technologies designed to beautify our selfies? Join me in November for an art workshop in Liverpool @OpenEyeGallery to explore the history of portraiture and image alteration for beautification 👉 https://t.co/IKdKvBWDNx

[Claire Anscomb @ClaireAnscomb]

@LizardVentham Happy birthday! 🥳

[Claire Anscomb @ClaireAnscomb]

Can’t wait to get started on Wednesday! 🎉

[Aesthetics Research @Kent_Aesthetics]

Happy to share the news that our former student, @ClaireAnscomb, has secured a post as a full-time, permanent lecturer in Fine Art at De Montfort University in Leicester. 👏👏👏 Many congratulations, Claire!

[Debates in Aesthetics Journal @DebateAesthetic]

We are now accepting submissions for our next general issue! We welcome original articles, book reviews, and interviews from postgraduate and professional philosophers on any topic in philosophy of art or aesthetics. https://t.co/4eOcDlIJmC

[Claire Anscomb @ClaireAnscomb]

Photographs in particular can make us feel closer to their subjects, in this new @BJAtweets article I examine why this is and what ramifications it has for our experiences of images 👉https://t.co/l7tRYjT1kq

[Claire Anscomb @ClaireAnscomb]

Happening online 2 Sep: Drawing Conversations. Very excited to be joining an amazing lineup of practitioners, art historians and theoreticians to examine the interrelationships of drawing and engaging with sites of history and narrative. Registration:
https://t.co/PCo9eeEPGi