Dove (...)un nuovo verbo, come quello che amano i nuovi fascisti cioè “non siamo tutti uguali, non tutti abbiamo gli stessi diritti, alcuni hanno diritti, altri no”. "Dove questo verbo attecchisce alla fine c’è il lager, questo io lo so." https://t.co/Y023meKlqL
#NeverAgain
Des organisations ayant soutenu les manifestations marquées par les récents pillages en France ont reçu des fonds des fondations Soros.
➡️ https://t.co/6hi5GrQGm3
Marie Choquet, commerçante à Lyon
"quand j'ai vu les pillages sur les caméras de videodurveillance, j'ai appelé la police.
Reponse : "NOUS AVONS ORDRE DE NE PAS INTERVENIR"
Ayant repéré les pilleurs, réponse de la police "ORDRE DE NE PAS INTERVENIR"
Qui n'a toujours pas compris ?
Pendant des décennies les médias ont harcelé Le Pen sur les propos de son père.
💡Ça va être intéressant de voir s'ils font pareil avec Glucksmann sur son père qui soutenait ouvertement la pédophilie et le droit pour un adulte de violer des enfants...
https://t.co/DlMfb77nDS
La banalità del male
Trump e Putin hanno siglato un accordo per il rilascio di diesel russo pari a 5 milioni di tonnellate. Gli USA hanno sospeso le sanzioni sul gasolio fino ad aprile. I prezzi, secondo Trump, "scenderanno per noi a ritmi record".
Gli accordi tra russi e americani non finirebbero però qui. Secondo Reuters, l'inviato e genero di Trump, Kushner, avrebbe discusso con il consigliere di Putin, Dmitriev, dell'ingresso di un investitore americano addirittura dentro Nord Stream, l'azienda che controlla i gasdotti sabotati. Precondizione di questo accordo è ovviamente la sospensione delle sanzioni USA, per cui la decisione di ieri sembra perfettamente coerente.
All'UE, mancherà invece il 7% del gas per coprire i consumi invernali. Parliamo di 14 miliardi di metri cubi. Oltre al blocco di Hormuz che ha fermato il GNL dal Qatar, da gennaio partirà il blocco totale autoimposto delle fornitire russe. È poi pronta "la più lunga lista di sanzioni europee mai presentata contro Mosca": 1600 aziende e personalità. La Commissione ha però versato 1,24 miliardi per droni e missili all'Ucraina e restano da pagare a breve 15,4 miliardi. Ne mancano comunque almeno il triplo per tenere in piedi l'esercito per la prima parte del '27.
L'UE non è però intenzionata a rivedere le sue regole di austerità. Secondo il vicepresidente della Commisisone Dombrovskis, "non possiamo continuare a introdurre nuove forme di flessibilità" perchè la sostenibilità fiscale "rappresenta una risorsa fondamentale". Il ministro all'economia olandese dice che bisogna ridurre a tutti i costi il debito, "fuggire dai problemi non è la soluzione", e che si sente "piuttosto stanco di questa discussione". Tesi espressa anche dai ministri belga e tedesco. Non importa che, secondo proprio il commissario all'energia, Jorgensen, soltanto per la guerra nel Golfo, l'UE pagherà 90 miliardi di extracosti per l'energia. Saremo in guerra, senza energia, ma il deficit sarà sotto al 3%.
Continua intanto la deindustrializzazione dell'Europa, che procede pari passo alla sua militarizzazione. Avanza l'ipotesi di una reindustrializzazione del sito Beko di elettrodomestici di Siena a opera della Leonardo. Non si produranno più frigoriferi in Europa ma missili per distruggere la nostra economia. Una grandiosa strategia.
Ma c'è qualcuno che seriamente può pensare che questa politica possa farci uscire dalla crisi in cui ci ha portato? Che queste élite abbiano la lucidità e la buona fede per ammettere gli errori madornali e autocorreggersi?
L'UE non è in crisi. È la crisi.
Rappresenta oggi l'ostacolo interno principale all'organizzazione dei popoli europei in vista dei loro interessi e della pace.
Dobbiamo svegliarci, prima che siano le condizioni storiche a farlo per noi.
Gabriele Guzzi
Rennes 2, la fac qui manque de moyens :
On occupe, on tague « ACAB » partout, on casse les vitres, on pille le Crous, on fait des trous dans les murs et on laisse des barricades.
Trois jours plus tard : des centaines de milliers d’euros de dégâts, campus fermé, et « on venait à peine de tout repeindre ».
Le concept ? Détruire son propre outil de travail pour prouver qu’il en manque.
Logique implacable. 🤡
If you're curious why the media is spreading so much false information about the riots, consider:
— The French Culture Ministry paid €204.7 million in direct aid to the news media in 2023, of which Le Monde received €8.3 million, L’Humanité €6.5 million and Libération €6.3 million
— The @afpfr runs "fact-checks" in 26 languages, received €120 million from the French state in 2025, against €200.3 million in commercial revenue. @AFP is French government propaganda and disinformation
— European governments are committed through a UN agreement to spread pro-mass migration propaganda by funding it directly. The “migration compact,” which 152 governments voted for in the UN General Assembly in 2018, commits them to “stopping allocation of public funding... to media outlets that systematically promote intolerance, xenophobia, racism and other forms of discrimination towards migrants," which is broadly interpreted to cover criticism of mass migration policies
— To maintain control over news media, the European Commission funds a network of 15 fact-checking hubs with tens of millions of euros, and its rules require platforms to give priority to notices from “trusted flaggers.”
— Governments fund think tanks to produce reports, including ones demanding censorship, that the news media cover sympathetically and editorialize in support of.
— The @ISDglobal in London — which demands censorship of people it disagrees with on climate change, gender, and migration, refuses to speak with journalists, and lists a phony address — lists among its funders the British Foreign Office, the U.S. Departments of Homeland Security and Justice, the German Foreign Office and the European Commission, along with Google and Microsoft.
https://t.co/LpyxOXtFAY
— Public reported in 2024 that ISD and the German fact-checker Correctiv, both government-funded, had spread false claims about German farmers and opposition politicians.
@localteamit Incendiare scuole nuove,mettere fuoco a scuole con compagni all'interno, cospargere i proff di benzina... qualcuno lo chiama diritto allo studio.
Ordinateurs offerts à des ONG d’extrême gauche comme @oxfamfrance, argent accordé par la Commission européenne à des influenceurs étrangers, subventions versées par l’UE à des agences politisées : les contribuables français 🇫🇷 ont le droit de savoir ce que Bruxelles fait du fruit de leurs impôts. Et trop souvent, c’est n’importe quoi ! Nous exigeons que la neutralité politique soit garantie: c’est le strict minimum ! @PatriotesEurope
Voilà ce qu’il reste du lycée Nelson-Mandela, à Nantes.
Celui où n’importe quel élève au monde aurait rêvé d’étudier. Hall éventré, verrière calcinée, charpente noircie, décombres jusqu’au sol.
On ne parle pas d’un collège des années 70, fissuré, mal chauffé, promis à la démolition.
On parle d’un établissement de douze ans, ouvert en fanfare, montré en exemple. Et c’est celui-là qu’on a choisi de brûler, pendant un blocus, au nom du manque de moyens.
Résultat : 1 700 élèves à la maison, des internes sans chambre, des cours en visio, une facture de remise en état en millions, et un site fermé jusqu’à la Toussaint.
Les photos parlent mieux que les slogans. Une honte absolue. Le monde entier doit voir ça.
LA CITY ORDINA LA DISTRUZIONE DEL CATTOLICISSIMO REGNO DELLE DUE SICILIE E DELLO STATO DELLA CHIESA
Estratto dalla rivista “Il Timone”.
Di Mario Iannacone
🧵
«Un Italia unita, che potesse controbilanciare il potere dell’Austria e della Francia, e magari le fosse sottomessa
Les conditions inhumaines du lycée Nelson-Mandela, à Nantes. Il fallait le voir pour le croire.
Verrière, bois clair, nef de 26 000 m², énergie positive. Internat de 166 lits, chambres avec sanitaires, salles de travail, patio.
Deux gymnases et un mur d’escalade de 24 voies.
Sections internationales, BTS, prépa.
Facture d’origine : 52 à 64 millions d’euros, il y a douze ans.
Le genre d’établissement qui ferait pâlir 95 pourcents des lycées français.
Et c’est le lycée qu’on brûle, hall et verrière, au nom du manque de moyens.
Le Site est fermé jusqu’à la Toussaint, cours à distance, remise en état chiffrée en millions.
Les conditions étaient si inhumaines qu’il a fallu y mettre le feu pour les rendre visibles.
Mais de qui se moque-t-on ?
@fratotolo2 Due ore per il pranzo?Mi pare troppo.Pensavo che le scuole pubbliche fossero sussidiate in modo da consentire a tutti l'accesso alla mensa.Portarsi un panino da casa,come fanno in moltissimi,é una opzione.Parliamo dell'orario del mercoledì e della settimana corta, delle vacanze?
Schaut und vor allem hört es euch bitte an.
Merz und Rutte gestern in Münster bei der Verleihung des "Friedenspreises " für die NATO.
Wie sie da stehen auf ihrem Balkon, dämlich grinsen und sich einfach einen Scheißdreck scheren über die Reaktion.
Mir wird echt schlecht wenn ich das sehe.
We already had a blackshirt in Europe agitating for World War. Guess who paid him?
Mussolini was paid £100 a week from MI5 from 1917 to keep up the WW1 pro-war campaigning:
"Archived documents have revealed that Mussolini got his start in politics in 1917 with the help of a £100 weekly wage from MI5.
For the British intelligence agency, it must have seemed like a good investment. Mussolini, then a 34-year-old journalist, was not just willing to ensure Italy continued to fight alongside the allies in the first world war by publishing propaganda in his paper.
He was also willing to send in the boys to "persuade'' peace protesters to stay at home.
Mussolini's payments were authorised by Sir Samuel Hoare, an MP and MI5's man in Rome, who ran a staff of 100 British intelligence officers in Italy at the time.
Cambridge historian Peter Martland, who discovered details of the deal struck with the future dictator, said: "Britain's least reliable ally in the war at the time was Italy after revolutionary Russia's pullout from the conflict.
Mussolini was paid £100 a week from the autumn of 1917 for at least a year to keep up the pro-war campaigning – equivalent to about £6,000 a week today."
As well as keeping the presses rolling at Il Popolo d'Italia, the newspaper he edited,
Mussolini also told Hoare he would send Italian army veterans to beat up peace protesters in Milan,
a dry run for his fascist blackshirt units.
After the armistice, Mussolini began his rise to power, assisted by electoral fraud and blackshirt violence, establishing a fascist dictorship by the mid-1920s.
His colonial ambitions in Africa brought him into contact with his old paymaster again in 1935.
Now the British foreign secretary, Hoare signed the Hoare-Laval pact, which gave Italy control over Abyssinia.
The unpopularity of the Hoare-Laval pact in Britain forced Hoare to resign. Mussolini, meanwhile, built on his new colonial clout to ally with Hitler, entering the second world war in 1940, this time to fight against the allies."
(...) "You just don’t get it." Not an argument. A social threat. The emperor’s new clothes as a permanent institutional condition. (...) We need to restore the standards. Beauty is not a preference – it is a civilizational claim about what the world is for. (...)
Modern Art – A Multifaceted Systemic Lie.
The banana taped to the wall sold for $6.2 million. The banana was eaten by a performance artist at the auction preview. A replacement was taped in its place. The certificate of authenticity transferred with the sale. This is not an outlier. This is the system working as designed.
1. The gaslighting is the core mechanism. The work is meaningless – the meaning is supplied by the network around it. The curator’s statement. The critic’s review. The collector’s price. The meaning is not in the object. It is in the social performance of understanding it. Anyone who says they don’t understand it is not admitting ignorance – they are refusing to perform the required deference. "You just don’t get it." Not an argument. A social threat. The emperor’s new clothes as a permanent institutional condition.
2. The debasement of standards was not accidental. Beauty and craft are standards by which work can be judged objectively – and objective judgment threatens the network. So the standards had to go. First irony. Then abstraction. Then conceptual art. Then the work that is entirely the statement about the work, until the object is irrelevant and only the network’s validation matters. The Herostratus instinct institutionalized – not burning the temple but declaring it was never beautiful, and that your inability to see this is your problem.
3. The entre-soi is the closed circle. Galleries validate artists. Critics validate galleries. Collectors validate critics. Museums validate collectors. Foundations fund museums. The same hundred people, circulating the same money, presenting the result as the judgment of culture. The public that finds the work empty is not a signal the work is empty. It is evidence of insufficient sophistication.
4. The financial architecture completes the system. Art is the only asset class with no objective valuation mechanism – perfect for moving money. A painting worth whatever two people agree, stored in a freeport, donated to a foundation for a tax deduction on the inflated value. The banana is simultaneously a cultural statement, a social performance, and a financial instrument. The fact that it is completely empty is not a bug. It is a feature.
5. The network selects against genuine talent – because genuine talent produces work that can be judged independently. The painter who spent ten years learning to draw can be evaluated without the curator’s statement. Their excellence is visible – which makes it dangerous. The network promotes instead the imposture that cannot be evaluated without its permission.
6. The demoralization is the deepest damage. Modern art tells a civilization that beauty is a preference, that the craftsman who spent a decade learning is no better than the one who didn’t bother, that excellence is indistinguishable from its absence. Making the tradition incomprehensible until it becomes invisible. The Sistine Chapel becomes one option among many. The banana becomes another. A civilization that cannot distinguish between them has lost the capacity to defend either.
7. We need to restore the standards. Beauty is not a preference – it is a civilizational claim about what the world is for. Exceptional skill is the measure by which creative work has always been judged across every culture that produced anything worth keeping. What is worth celebrating and what is an imposture used for the politics of destruction are distinguishable – by anyone willing to look and say what they see. The banana is not art. The Sistine Chapel is. The difference is not subjective. The difference is everything. Restoring the capacity to say so — clearly, publicly, without apology — is the first act of civilizational recovery.